Difference between revisions of "Bass"

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Chris mainly uses leather straps from Status Graphite these days, but has been seen using ones from Manson Guitar Works in the past - the same as Bellamy uses.
Chris mainly uses leather straps from Status Graphite these days, but has been seen using ones from Manson Guitar Works in the past - the same as Bellamy uses.


== [[Simulation Theory (album)|Simulation Theory]] ==
== [[North American Summer Amphitheatre Tour 2017|NA Summer Amphitheatre Tour 2017]] & [[Simulation Theory (album)|Simulation Theory]] ==
[[Image:2017-12-102 Muse.jpg|thumb|280px|right|Chris recording Simulation Theory; Using an Ashdown BTA 400 with his '73 Fender Jazz Bass]]
[[Image:STRack.jpg|thumb|280px|right|Chris's rack during the [[Simulation Theory World Tour]]]]
[[File:MuseSTBass.jpg | thumb | right | 280px | Chris's bass tech with gear used on the [[Simulation Theory World Tour]]]]


In the studio, Chris has been seen using a [[Fender_Jazz_Bass#Fender_Jazz_Bass_1973_.28butterscotch_finish.2Frosewood_fretboard_with_pearloid_block_inlay.29|'73 Jazz Bass]], a [[Fender_Jazz_Bass#Fender_Jazz_Bass_1977_.28sunburst_finish.2Fmaple_fretboard_with_pearloid_block_inlay.29|'77 Jazz Bass]] and [[Status Chris Wolstenholme Signature Bass|Status basses]]. An Ampeg SVT-VR and Ashdown BTA 400 heads were also part of his studio setup. During a 2018 interview on Virgin Radio Italy, Matt mentioned Chris also used a [[Misa Kitara]] for [[Break It to Me (song)|Break It To Me]] in the studio.
For the 2017 North American Summer Amphitheatre Tour, Chris mostly kept the same setup as the Drones tour. He only added two new basses: The new graphite-covered green-LED [[Status The KingBass Mk-II|Status The KingBass Mk-II]] and the [[Status Kitara Doubleneck Bass Mk2|new version of the Status Kitara Doubleneck Bass]] for Madness. For the Simulation Theory tour, he also kept the setup fairly similar, but he used three new basses (including the Keyboard Bass) and switched from the Skrydstrup MR10 system to an RJM Effect Gizmo system. A couple of new stompboxes were also added.


When speaking to John Kennedy on Radio X, he mentioned that, as opposed to previous albums being recorded with a live rig (giving them a set tone when done tracking), they've mostly recorded Simulation Theory with clean bass going straight into the console, which gave them flexibility to manipulate the sound later in the DAW.  
In the studio, while making [[Simulation Theory (album)|Simulation Theory]], Chris has been seen using [[Fender_Jazz_Bass#Fender_Jazz_Bass_1973_.28butterscotch_finish.2Frosewood_fretboard_with_pearloid_block_inlay.29|'73 Jazz Bass]], a [[Fender_Jazz_Bass#Fender_Jazz_Bass_1977_.28sunburst_finish.2Fmaple_fretboard_with_pearloid_block_inlay.29|'77 Jazz Bass]] and his [[Status Chris Wolstenholme Signature Bass|Status signature basses]]. The Ampeg SVT-VR was used yet again in the studio setup, but an [[Ashdown BTA-400]] head was seen for the first time being used by Wolstenholme. According to Chris, he wanted to use more of the old Fender Jazz Bass sound due to the album having an 80s feel, as opposed to mainly using Status bass guitars, which have a more modern sound. Wolstenholme also mentioned, while speaking to John Kennedy on Radio X, that another difference, compared to recording previous albums was, that they've mostly recorded Simulation Theroy with clean bass going straight into the console, giving them the flexibility to manipulate the sound later, in the DAW.


=== Studio ===
=== Studio ===
[[Image:2017-12-102 Muse.jpg|thumb|280px|right|Chris recording Simulation Theory; Seen using an Ashdown BTA 400 with his '73 Fender Jazz Bass]]


==== Basses ====
==== Basses ====


*[[Status Chris Wolstenholme Signature Bass]]
* [[Status Chris Wolstenholme Signature Bass]] (Graphite/Blue-LED)
*[[Fender_Jazz_Bass#Fender_Jazz_Bass_1977_.28sunburst_finish.2Fmaple_fretboard_with_pearloid_block_inlay.29|Fender '77 Jazz Bass]]
* [[Fender_Jazz_Bass#Fender_Jazz_Bass_1977_.28sunburst_finish.2Fmaple_fretboard_with_pearloid_block_inlay.29|Fender '77 Jazz Bass]]
*[[Fender_Jazz_Bass#Fender_Jazz_Bass_1973_.28butterscotch_finish.2Frosewood_fretboard_with_pearloid_block_inlay.29|Fender '73 Jazz Bass]]
* [[Fender_Jazz_Bass#Fender_Jazz_Bass_1973_.28butterscotch_finish.2Frosewood_fretboard_with_pearloid_block_inlay.29|Fender '73 Jazz Bass]]


==== Effects ====
==== Amps ====
 
* [[Ashdown BTA-400]]
* [[Ampeg SVT-VR]]
* 2x [[Kemper Profiling Amplifier]]
* 2x [[Markbass SD1200]


===== Rack 1 =====
==== Rack 1 ====


* ETA Systems EPD11 LVIEC-CE
* ETA Systems EPD11 LVIEC-CE Power Distribution Unit
* Empirical Labs Distressor
* [[Empirical Labs Distressor]]
* Custom connector panel (Unknown)
* Custom Connector Panel
* Markbass SD1200
* 2x [[Markbass SD1200]]
* [[Kemper Profiling Amplifier]] (black) (Big Muff)
* 2x [[Kemper Profiling Amplifier]]
* [[Kemper Profiling Amplifier]] (black) (Animato)
* ''Unknown''


===== Rack 2 =====
===== Rack 2 =====


* ETA Systems EPD11 LVIEC-CE
* ETA Systems EPD11 LVIEC-CE Power Distribution Unit
* [[Skrydstrup Bass Routing System]]
* [[Skrydstrup Custom Routing Interface]]
* Shure UA845 Antenna /Power Distribution
* Shure UA845 Antenna Distribution Unit
* Shure UR4D
* 2x Shure UR4D Dual Wireless Reciever
* Shure UR4D
* 2x [[Skrydstrup MR10 Loop System]]
* Skrydstrup MR10
* Skrydstrup MR10
* [[TC Electronic G-Major 2]]
* [[TC Electronic G-Major 2]]
* FX Tray 1 (unknown)
* ''Unknown''
* FX Tray 2 (unknown)
* FX Tray 3 (unknown)
* Electrix Filter Factory


==== Amps ====
==== Amps ====
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=== Live ===
=== Live ===


[[Image:STRack.jpg|thumb|280px|right|Chris's rack during the [[Simulation Theory World Tour]]]]
==== Basses ====
[[File:MuseSTBass.jpg | thumb | right | 280px | Chris's bass tech with gear used on the ST tour behind him]]


During the tour, he acquired a new black/maple fretboard Fender Jazz Bass, a new Black/Stealth 5-String and a custom LED-Strip Status bass.
* [[Status The KingBass Mk-II|Status The KingBass Mk-II]] (Amphitheatre Tour only)
* [[Status Chris Wolstenholme Signature Bass]] (Graphite/Blue-LED)
* [[Status Chris Wolstenholme Signature Bass]] (Graphite/Red-LED)
* [[Status Chris Wolstenholme Signature Bass]] (Aqua Blue/White-LED)
* [[Status Chris Wolstenholme Signature Bass 5-string]] (Graphite/Green-LED)
* [[Status Chris Wolstenholme Signature Bass 5-string]] (Aqua Blue/White-LED) (replaced with Stealth)
* [[Status Chris Wolstenholme Signature Bass 5-string]] (Stealth) (Blue/White-Led replacement)
* [[Status Original Series II|Status "The Uprising Bass"]]
* [[Status Kitara Doubleneck Bass Mk2]]
* [[Status Keyboard Bass]]
* [[Fender_Jazz_Bass#Fender_Jazz_Bass_1977_.28sunburst_finish.2Fmaple_fretboard_with_pearloid_block_inlay.29|Fender '77 Jazz Bass]] (Sunburst/Maple fretboard) (replaced with Geddy Lee Signature Bass)
* [[Fender_Jazz_Bass#Fender_Geddy_Lee_Signature_Jazz_Bass_.28satin_black.2Fmaple_fretboard_with_pearloid_block_inlay.29|Fender Geddy Lee Signature Jazz Bass]] (Satin Black/Maple fretboard) ('77 Jazz Bass replacement)
* [[Status S2-Classic]] (back-up)


Effects-wise, he added a Pigtronix Disnortion distortion/fuzz and the Eventide H9 Harmonizer, while the POG2, allthough not seen on pics before, has likely been on his board since the 2017 Amphitheatre Tour.
==== Amps ====


He also updated the two Skrydstrup MR10 loop switchers with the RJM Effect Gizmo loop switchers.
* 2x [[Markbass SD1200]]
* 3x [[Kemper Profiling Amplifier]]


According to Chris's bass tech Jon Ashworth, the sound is based around the Markbass SD1200 heads running through the Markbass 1x15 cabinets and distortion is layered on top of that either through Kempers or through individual pedals, which are connected to RJM Switching Systems.
==== Cabs ====


==== Basses ====
* 2x [[Markbass Standard 151HR 1x15 Bass Cab]]


*[[Status Chris Wolstenholme Signature Bass]]
==== Rack 1 ====
*[[Status Original Series II|Status Custom Red Series II]]
*[[Status Kitara Doubleneck Bass]]
*[[Status Keyboard Bass]]
*[[Fender_Jazz_Bass#Fender_Jazz_Bass_1977_.28sunburst_finish.2Fmaple_fretboard_with_pearloid_block_inlay.29|Fender '77 Jazz Bass]]
*[[Fender_Jazz_Bass#Fender_Geddy_Lee_Signature_Jazz_Bass_.28satin_black.2Fmaple_fretboard_with_pearloid_block_inlay.29|Fender Geddy Lee Signature Jazz Bass]]
*[[Status Chris Wolstenholme Signature Bass 5-string]]
*[[Status S2-Classic]] (Back-Up)


===== Rack 1 =====
* Power Conditioner Unit (''Unknown'')
* [[Empirical Labs Distressor]]
* 2x [[Markbass SD1200]]
* 3x [[Kemper Profiling Amplifier]]


* ETA Systems EPD11 LVIEC-CE
==== Rack 2 ====
* Empirical Labs Distressor
* Markbass SD1200
* Markbass SD1200
* [[Kemper Profiling Amplifier]] (black)
* [[Kemper Profiling Amplifier]] (black)
* [[Kemper Profiling Amplifier]] (black)
 
===== Rack 2 =====


* ETA Systems EPD11 LVIEC-CE
* Power Conditioner Unit (''Unknown'')
* [[Skrydstrup Bass Routing System]]
* [[Skrydstrup Bass Routing System]]
* Shure UA845 Antenna /Power Distribution
* 2x Shure AD4D Dual Wireless Reciever
* Shure AD4D
* [[RJM Effect Gizmo]]
* Shure AD4D
* RJM Effect Gizmo
* [[TC Electronic G-Major 2]]
* [[TC Electronic G-Major 2]]
* FX Tray 1 ([[Electro-Harmonix Big Muff Pi|Electro-Harmonix Black Russian Big Muff Pi]], MXR Six Band Graphic EQ, [[Boss OC-2|Boss OC-2 Octave]], Crowther Audio Prunes and Custard, ''Unknown'')  
* FX Tray 1 ([[Electro-Harmonix Big Muff Pi|Electro-Harmonix Black Russian Big Muff Pi]], MXR Six Band Graphic EQ, [[Boss OC-2|Boss OC-2 Octave]], Crowther Audio Prunes and Custard, ''Unknown'')  
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* FX Tray 3 (Eventide H9 Harmonizer/Effects Processor, EHX POG2, ''Unknown'')
* FX Tray 3 (Eventide H9 Harmonizer/Effects Processor, EHX POG2, ''Unknown'')


==== Cabinets ====
==== Tuner ====
 
* Peterson AutoStrobe 490 Tuner
* TC Electronic Polytune Mini
 
==== Control ====
 
* [[RJM Mastermind GT/22 Foot Controller]] (off-stage)
 
==== On-Stage Pedalboard ====


* 2 Markbass 151 15" Cabinets
* [[RJM Mastermind GT/22 Foot Controller]] (on-stage)
* Korg Pitchblack Pro Tuner


==== Other ====
==== Other ====


* Panda Audio MIDI Beam (for wireless MIDI transmission for the [[Status Keyboard Bass]])
* Panda Audio midiBeam Wireless MIDI Transmitter
* Apple Mac Book Pro (running MainStage)


== [[North American Summer Amphitheatre Tour 2017]] ==
== [[North American Summer Amphitheatre Tour 2017]] ==

Revision as of 14:28, 13 January 2021

Straps

Chris mainly uses leather straps from Status Graphite these days, but has been seen using ones from Manson Guitar Works in the past - the same as Bellamy uses.

NA Summer Amphitheatre Tour 2017 & Simulation Theory

Chris recording Simulation Theory; Using an Ashdown BTA 400 with his '73 Fender Jazz Bass
Chris's rack during the Simulation Theory World Tour
Chris's bass tech with gear used on the Simulation Theory World Tour

For the 2017 North American Summer Amphitheatre Tour, Chris mostly kept the same setup as the Drones tour. He only added two new basses: The new graphite-covered green-LED Status The KingBass Mk-II and the new version of the Status Kitara Doubleneck Bass for Madness. For the Simulation Theory tour, he also kept the setup fairly similar, but he used three new basses (including the Keyboard Bass) and switched from the Skrydstrup MR10 system to an RJM Effect Gizmo system. A couple of new stompboxes were also added.

In the studio, while making Simulation Theory, Chris has been seen using '73 Jazz Bass, a '77 Jazz Bass and his Status signature basses. The Ampeg SVT-VR was used yet again in the studio setup, but an Ashdown BTA-400 head was seen for the first time being used by Wolstenholme. According to Chris, he wanted to use more of the old Fender Jazz Bass sound due to the album having an 80s feel, as opposed to mainly using Status bass guitars, which have a more modern sound. Wolstenholme also mentioned, while speaking to John Kennedy on Radio X, that another difference, compared to recording previous albums was, that they've mostly recorded Simulation Theroy with clean bass going straight into the console, giving them the flexibility to manipulate the sound later, in the DAW.

Studio

Basses

Amps

Rack 1

Rack 2

Amps

Live

Basses

Amps

Cabs

Rack 1

Rack 2

Tuner

  • Peterson AutoStrobe 490 Tuner
  • TC Electronic Polytune Mini

Control

On-Stage Pedalboard

Other

  • Panda Audio midiBeam Wireless MIDI Transmitter
  • Apple Mac Book Pro (running MainStage)

North American Summer Amphitheatre Tour 2017

Basses

Drones

Drones studio bass rack
Drones live rack setup

During the recording of Drones, Chris mainly used Status bass guitars again, allthough a Rickenbacker and the Gibsons were also spotted in the studio. He ran them through an Ampeg SVT-VR head for the clean channel and two Marshall DBS 7400s for distorted channels. Later, for the cover of New Kind of Kick, he likely used a Gretsch Thunder Jet, seen in the video, in the studio.

As for the live setupr, Chris kept his collection of basses the same as for The 2nd Law tour, with the 5-string Jazz Bass making a return for a couple of Assassin performances. The Chris Wolstenholme Status Graphite 5-String bass also made appearances for Assassin. The rack was almost exactly the same as with the T2L tours with two Kempers and two Markbass SD1200 heads.

Studio

Basses

Amps

Cabs

Rack 1

Rack 2

FX Tray 1

FX Tray 2

FX Tray 3

Control

Live

Basses

Amps

Cabs

Rack 1

Rack 2

FX Tray 1

FX Tray 2

Tuner

  • Peterson AutoStrobe 490 Tuner

Control

On-Stage Pedalboard

The 2nd Law

T2L studio set-up
T2L tour bass selection
T2L tour rack

For The 2nd Law, Chris kept the same studio setup as he used on The Resistance tour, but included more pedals and two Markbass SD1200 heads. Live, he replaced the Marshall DBS 7400 amps completely with the afforementioned SD1200s (clean channels) and two Kemper Profiling Amplifier heads (for overdrive channels), with the DBS 7400 amps all profiled.

He also ditched most of the Fender Jazz Basses and started playing Status basses almost exclusively.

Studio

Basses

Amps

Cabs

Rack 1

Rack 2

FX Tray 1 (Rack-Top)

FX Tray 2

FX Tray 3

FX Tray 4

Control

Other

  • A Designs REDDI Tube Direct Box

Live

Basses

Amps

Cabs

Rack 1

Rack 2

FX Tray 1

FX Tray 2

FX Tray 3

  • Unknown

Tuner

  • Boss TU-2 Chromatic Tuner

Control

On-Stage Pedalboard

Other

  • Apple Mac Book Pro (running MainStage)

The Resistance

Rack (Offstage)
Ampeg SVT-VR

For The Resistance era, Chris expanded his setup even more, especially in terms of basses rack gear. This was the first tour that Chris started using Status basses with the first one being the Status Original Series II.

Both the studio and live setups were the same, excluding the bass and amp selection.

Studio

Basses

Amps

Cabs

Live

Basses

Amps

Cabs

Rack 1

Rack 2

FX Tray 1

FX Tray 2

FX Tray 3

Tuner

  • Boss TU-2 Chromatic Tuner

Control

On-Stage Pedalboard

Black Holes and Revelations

Board

Not much is known about Chris' gear during the BH&R era as there were little to no pictures of his gear taken during the period, however it is known that Chris started using Fender Jazz Basses a lot more frequently. He also ditched the on-stage amps/cabs halfway through the tour, and started miking them backstage. Instead, he only opted for an on-stage subwoofer, so he could still feel the sub low end, and he also took away the MIDI foot pedal controller.

Based on some interviews, Chris added four more Marshall DBS 7400 heads to his setup, having eight in total.[1]

Basses

Amps

Cabs

Control

On-Stage Pedalboard

Absolution

Rack
Pedal Board
Pedal Board (Offstage)

For the Absolution tour, Chris moved all of his pedals and amps into the rack. Both him and Matt got into MIDI switching systems, with their techs switching the effects on or off; a system, which they still use, due to the complexity of effect use on albums.

Wolstenholme also got two more of the Marshall DBS 7400 bass amplifiers into the rig.

Basses

Amps/Rack (left)

Rack (right)

Off-Stage Pedalboard

Control

On-Stage Pedalboard

Other

Origin of Symmetry

OoS Amps
OoS Pedalboard

During the OoS tour, Chris got his Marshall DBS 7400 Dynamic Bass System amplifiers and cabinets. He also got a Black Russian Big Muff Pi and a Human Gear Animato pedal, aswell as an Akai Deep Impact SB1 Bass Synth pedal. A lot of the gear he acquired during this era remains in his setup to this day.

Basses

Rack

Cabs

Pedalboard

Showbiz

Showbiz pedalboard

Allthough amplifiers and basses remained the same, Chris used two effects setups during the Showbiz era; On some early gigs, he only used the Boss OS-2 Overdrive/Distortion, plugged into the Pete Cornish Line Selector and running into the amps.

Wolstenholme equiped his basses with Elites 40-100 stainless steel strings.[2]

Basses

Amps

Pedalboard

References

  1. ↑ https://www.mixonline.com/live-sound/all-access-muse-367983
  2. ↑ 2002 Bass Guitar Magazine Interview

See also

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