Difference between revisions of "Kill or Be Killed (song)"
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{{Songbox | | {{Songbox | | ||
| Name = Kill or Be Killed<ref>https://wontstanddown.muse.mu/api/v1/catalogue/new/</ref> | | Name = Kill or Be Killed<ref>https://wontstanddown.muse.mu/api/v1/catalogue/new/</ref> | ||
| Album = [[Will of the People (album)|Will of the People]] <small>(7)</small> | | Album = {{drop | ||
| First = [[Nürburg Nürburgring 2022 (gig)|2022 | |[[Will of the People (album)|Will of the People]] <small>(7)</small> | ||
|[[Kill or Be Killed (single)|Kill or Be Killed]] <small>(1)</small> | |||
}} | |||
| First = [[Nürburg Nürburgring 2022 (gig)|4{{supo|th}} June 2022]] | |||
| Latest = | | Latest = | ||
| Length = 4:59<ref>https://www.qobuz.com/nl-nl/album/will-of-the-people-muse/k02hnfrjhdxrc</ref> | | Length = 4:59<ref>https://www.qobuz.com/nl-nl/album/will-of-the-people-muse/k02hnfrjhdxrc</ref> | ||
| Line 9: | Line 12: | ||
| Release = TBA | | Release = TBA | ||
| Writer = [[Matthew Bellamy]] | | Writer = [[Matthew Bellamy]] | ||
| Producer = Muse | | Producer = Muse, [[Aleks Von Korff]] | ||
| Chart position = | | Chart position = | ||
}} | }} | ||
| Line 26: | Line 29: | ||
== Description == | == Description == | ||
The song's title has been "officially" leaked on March 14th, 2022 via the JSON output from [https://wontstanddown.muse.mu/api/v1/catalogue/new/ wontstanddown.muse.mu], which | A heavy prog-metal song. The style of it has been compared to Muse's output from the [[Showbiz (album)|Showbiz]], [[Origin of Symmetry (album)|Origin of Symmetry]], [[Absolution (album)|Absolution]] and [[Black Holes and Revelations (album)|Black Holes & Revelations]] eras, mixed with [[Drones (album)|Drones]]. The song's title has been "officially" leaked on March 14th, 2022 via the JSON output from [https://wontstanddown.muse.mu/api/v1/catalogue/new/ wontstanddown.muse.mu]. Released as a [[Kill or Be Killed (single)|single]] by popular demand on July 21st, 2022. | ||
In a 2022 interview with Zane Lowe, Bellamy said that this track is "''the best metal/prog track we've ever done, the best track that could've been on [[Drones (album)|Drones]].''".<ref>https://youtu.be/BiD9f59oo1w</ref> The metal-like song was further described in Warner Music's short album recap as having "industrial-tinged" and "granite heavy" guitar riffs.<ref>https://themusicuniverse.com/muse-announces-will-people/</ref> | |||
“''‘Kill Or Be Killed’ is MUSE at their heaviest! We wanted to update our hard rock sound on this album and with KOBK we found a modern metal sound featuring double bass drum action and even a death growl. Lyrically the song takes influence from my favourite Paul McCartney song “Live And Let Die”, a dark take on how life’s adversity can sometimes bring out the worst human instincts to survival at any costs.''” – Matt | |||
This is the only song on [[Will of the People (album)|Will of the People]] to be both co-produced and mixed by [[Aleks Von Korff]]. | |||
On November 15th, 2022, it was announced by the Recording Academy that the song'd be nominated for a Grammy award in the "Best Metal Performance" category, going against Ghost's "Call Me Little Sunshine", Megadeth's "We'll Be Back", Ozzy Osbourne's "Degradation Rules" and Turnstile's "Blackout".<ref>https://www.instagram.com/p/Ck_Z7sJg128/</ref> | |||
== Additional Information == | |||
Kill or Be Killed features a distinct guitar riff during the intro and the verse, similar in style to bands like Limp Bizkit, [[Slipknot]] and [[Korn]], while the guitar tone, including the Whammy, also bears resemblance to the likes of [[Rage Against the Machine]]. The intro blasts with Dom's thunderous tom fill and heavy guitar riffs, in which the riff was a pure reminiscent of [[Cave (song)|Cave]] and [[The Handler (song)|The Handler]] with harsher and more aggressive sounds, while the drum beat is similar to that of [[New Born (song)|New Born]], with the snare hitting every beat. The tom-driven pre-chorus parts are similar in style to songs like [[Stockholm Syndrome (song)|Stockholm Syndrome]], and Assassin's demo version, [[Assassin (song)|Debase Mason's Grog]], while chorus parts feature a fast double kick drum beat. The song is also, at times, reminiscent of [[Blockades (song)|Blockades]] and also a bit harks back to [[The Small Print (song)|The Small Print]] from the chorus part. The tapping solo is similar to other tapping solos in songs like [[Invincible (song)|Invincible]] and [[Reapers (song)|Reapers]]. | |||
The lyrics might indicate a message to listener to adapt with the current hardships that is endured without knowing when it's going to stop and rather, face the problems to shape and matured the strong individual. Seemingly inspired by the pandemic situation where everyone should wear a masks and forced to quarantine themselves, and also revived the basic health protocol by washing hands or take a shower often before and after performing tasks for an unknown period in order to, ironically, "not to be killed". | |||
In other aspects, it also can be interpreted as an uprising theme to fight back the oppressive rules, similar to that of [[Won't Stand Down (song)|Won't Stand Down]], ignites the revolution fire to stand up on the ground to "kill" the abusive power instead of being torn by it. The song is probably influenced by amount of revolts that have happened and still ongoing almost entirely throughout the world, like Black Lives Matter riots, climate change awareness, and some of the revolutionary incident to bring down the corrupted & tyrannical government, which took a perspective from a rioters in the midst of chaos on finding the best option to survive, encountered with dark forces, and how to deal with the havoc despite the dangers inside the conflict. | |||
Matt also added that, lyrically, it was inspired by Bellamy's favorite track from Paul McCartney's (specifically, his band's Wings') song "Live and Let Die". On the further note, he stated "''We are at the heaviest moment, adding double pedals, monstrous guitar riffs and deathcore growls in this song''". About the song meaning, he implied that this song is describing a human nature during the fallout and adversities, which exhibits the fiend side to survive by instinct and how not to be killed at all costs. | |||
On July 13th, 2022, after the end of the [[Will of the People Summer Festivals Tour|summer festivals tour]], it was announced by Muse that [[Kill or Be Killed (single)|Kill or Be Killed]] would be released on July 21st. The audio of the song was available a day before the official release for those who preordered the album. The preview of the studio version can be heard on [https://www.tiktok.com/music/Kill-Or-Be-Killed-7119098266427328513 TikTok] or [https://www.reddit.com/r/Muse/comments/vy44sq/kill_or_be_killed_official_30_sec_snippet/ Reddit]. | |||
== Instrumentation == | |||
Apparently, the second, or perhaps even the heaviest and harshest track that Muse has produced over the past 27 years of their career. One of the most progressive tracks on the [[Will of the People (album)|Will of the People]], that took from tertiary form (A B A B C B A). As such, the song's BPM changes ever so slightly with each section. Additionally, this is the third song that incorporates double pedal kicks, after [[Dead Inside (song)|Dead Inside]] and [[Won't Stand Down (song)|Won't Stand Down]], and is also the first song after many years to not cut out Matt's inhales. | |||
Many elements of the best records of Muse were mixed together within, the intro was taken from Showbiz (Cave), the guitar had tuned into Origin of Symmetry distortion (Hyper Music, New Born), while the pre-chorus incorporated Absolution's intensity and the chorus section was combined with Black Holes and Revelation arpeggiated synthesizers and Absolution powerful operatic vocals with Drones industrial-based riff | |||
The song's also known for its heavy use of the Whammy pedal. It is most obvious during the main riff, the solo and the post-solo chorus. In the tapping solo, the Whammy is going up and down, mimicking Matt playing sweeping arpeggios. The chord progression during the solo is similar to that of [[The Globalist (song)|The Globalist]]'s middle section, while the melody of the guitar during the break of the song, written in phrygian scale and B-minor, is reminiscent to that of [[Break It to Me (song)|Break It to Me]]'s verses. Like [[Reapers (song)|Reapers]] Kill or Be Killed features a siren sound effects, which appears during the intro and bridge parts. It also includes screaming whispers, similar to the final "[[Won't Stand Down (song)|Won't Stand Down]]" scream in the song of the same name. | |||
As with most metal songs, the bass and guitar were, for most of the song, deliberately written and produced to have it feel as one instrument. Subsequently, all the low end and the grit during most of it comes from Chris himself. Specific inspirations for this included bands like Gojira, Messugah, TesseracT and Periphery.<ref>https://www.reddit.com/r/Muse/comments/w5qt1t/dont_get_me_wrong_kobk_is_an_absolute_banger_but/ihc83q3/?context=3</ref> | |||
== Music Video == | |||
The music video, released together with the studio version on July 21st, 2022, includes a compilation of footage of Muse performing live during the [[Will of the People Summer Festivals Tour]]. It's the first "live" music video in 10 years, since [[Follow Me (video)|Follow Me]] and [[Resistance (video)|Resistance]]. | |||
More [[Kill or Be Killed (video)|on this page]]. | |||
== Felsmann + Tiley Reinterpretation == | |||
Produced by German-British electronic duo, Felsmann + Tiley, who are known for their song reinterpretations, the [[Kill_or_Be_Killed_(single)#Kill_or_Be_Killed_(Feilsmann_+_Tiley_Reinterpretation)|Feilsmann + Tiley Reinterpretation of Kill or Be Killed]] was released on digital platforms, on February 10th, 2023. The only element of the original track in the remix are the vocals. It's a complete opposite to the original song, being a much more laid-back and ambient-sounding track. Featuring 80s synths, it's reminiscent to songs like [[The Void (song)|The Void]], [[Pray (Matthew Bellamy song)|Pray]], and [[Verona (song)|Verona]]. | |||
The remix can be heard [https://youtu.be/aMyl3dJz5Fw here]. | |||
== Live == | == Live == | ||
The song was first performed live on [[Nürburg Nürburgring 2022 (gig)|June 4th, 2022]]. | The song was first performed live on [[Nürburg Nürburgring 2022 (gig)|June 4th, 2022]]. It is played by Matt on the same [[Manson Oryx|specially-tuned guitar]] as [[Won't Stand Down (song)|Won't Stand Down]]. | ||
More [[Kill or Be Killed (live)|here]] | |||
== Lyrics == | == Lyrics == | ||
<small>Official lyrics as posted by Muse</small> | |||
{{lyrics | |||
|Kill or be killed | |||
Cornered, I’m exhausted with fear | |||
Our love and compassion dissolved | |||
And demons, have materialised in me | |||
Can’t fight them, they’re taking control | |||
And we’ve tried, oh we’ve tried so hard to be good | |||
But the world rewards us when we’re bad | |||
Fate, is driving me insane | |||
It’s forcing me to face | |||
I must kill or be killed | |||
Kill or be killed | |||
They’ve driven a stake right through my heart | |||
I’m growing so cold and detached | |||
And I’ve tried, oh I’ve tried so hard to spread love | |||
But she prefers it when I assert control | |||
Fate has brought us here to face | |||
Our hopes and dreams erased | |||
Either kill or be killed | |||
Yah, Yah Yah Yah, Yah Yahweh Yah Yahweh Yah Yah Yah | |||
Yah Yah Yah | |||
Ah Eh Yah Yah | |||
Yah Yah Yah | |||
Kill or be killed | |||
War | |||
Kill or be killed | |||
Yaaahhh | |||
Yah Yah Yah Yah Yah Yah | |||
Either kill or be killed | |||
Fate, is driving me insane | |||
It’s forcing me to face | |||
I must kill or be killed | |||
Kill or be killed | |||
Kill or be killed | |||
Kill or be killed | |||
Kill or be killed | |||
Kill or be killed | |||
}} | |||
===Live=== | |||
<small>The lyrics during the live version differ slightly from the studio version</small> | |||
{{lyrics | {{lyrics | ||
| | |Kill or be killed | ||
Cornered, I'm exhausted with fear | |||
Our love and compassion dissolved | |||
Demons have materialised in me | |||
Can't fight them, they're taking control | |||
Tried, oh, I've tried, so hard to be good | |||
But the world, rewards us when we're bad | |||
Fate | |||
It’s driving me insane | |||
It’s forcing me to face | |||
I must kill or be killed | |||
Driven a stake right through my heart | |||
I'm growing so cold and detached | |||
Tried, oh, I've tried, so hard to spread love | |||
But she prefers it when I assert control | |||
Fate | |||
Has brought us here to face | |||
Our hopes and dreams erased | |||
Either kill or be killed | |||
War | |||
Either kill or be killed | |||
Fate | |||
It’s driving me insane | |||
It’s forcing me to face | |||
I must kill or be killed | |||
Kill or be killed | |||
Kill or be killed | |||
}} | }} | ||
Latest revision as of 13:48, 14 August 2023
| Muse song | |
|---|---|
| Name | Kill or Be Killed[1] |
| Album/single |
|
| Length | 4:59[2] |
| Alternative titles | |
| First live performance | 4th June 2022 |
| Latest live performance | |
| Recorded | 2021 |
| Writer/composer | Matthew Bellamy |
| Producer | Muse, Aleks Von Korff |
| Chart position | |
| Song Nav | ||||
|---|---|---|---|---|
| You Make Me Feel Like It's Halloween | < | Kill or Be Killed | > | Verona |
| Album Nav | ||||
|---|---|---|---|---|
| Simulation Theory (2018) | < | Will of the People (2022) | > | |
Description
A heavy prog-metal song. The style of it has been compared to Muse's output from the Showbiz, Origin of Symmetry, Absolution and Black Holes & Revelations eras, mixed with Drones. The song's title has been "officially" leaked on March 14th, 2022 via the JSON output from wontstanddown.muse.mu. Released as a single by popular demand on July 21st, 2022.
In a 2022 interview with Zane Lowe, Bellamy said that this track is "the best metal/prog track we've ever done, the best track that could've been on Drones.".[3] The metal-like song was further described in Warner Music's short album recap as having "industrial-tinged" and "granite heavy" guitar riffs.[4]
“‘Kill Or Be Killed’ is MUSE at their heaviest! We wanted to update our hard rock sound on this album and with KOBK we found a modern metal sound featuring double bass drum action and even a death growl. Lyrically the song takes influence from my favourite Paul McCartney song “Live And Let Die”, a dark take on how life’s adversity can sometimes bring out the worst human instincts to survival at any costs.” – Matt
This is the only song on Will of the People to be both co-produced and mixed by Aleks Von Korff.
On November 15th, 2022, it was announced by the Recording Academy that the song'd be nominated for a Grammy award in the "Best Metal Performance" category, going against Ghost's "Call Me Little Sunshine", Megadeth's "We'll Be Back", Ozzy Osbourne's "Degradation Rules" and Turnstile's "Blackout".[5]
Additional Information
Kill or Be Killed features a distinct guitar riff during the intro and the verse, similar in style to bands like Limp Bizkit, Slipknot and Korn, while the guitar tone, including the Whammy, also bears resemblance to the likes of Rage Against the Machine. The intro blasts with Dom's thunderous tom fill and heavy guitar riffs, in which the riff was a pure reminiscent of Cave and The Handler with harsher and more aggressive sounds, while the drum beat is similar to that of New Born, with the snare hitting every beat. The tom-driven pre-chorus parts are similar in style to songs like Stockholm Syndrome, and Assassin's demo version, Debase Mason's Grog, while chorus parts feature a fast double kick drum beat. The song is also, at times, reminiscent of Blockades and also a bit harks back to The Small Print from the chorus part. The tapping solo is similar to other tapping solos in songs like Invincible and Reapers.
The lyrics might indicate a message to listener to adapt with the current hardships that is endured without knowing when it's going to stop and rather, face the problems to shape and matured the strong individual. Seemingly inspired by the pandemic situation where everyone should wear a masks and forced to quarantine themselves, and also revived the basic health protocol by washing hands or take a shower often before and after performing tasks for an unknown period in order to, ironically, "not to be killed".
In other aspects, it also can be interpreted as an uprising theme to fight back the oppressive rules, similar to that of Won't Stand Down, ignites the revolution fire to stand up on the ground to "kill" the abusive power instead of being torn by it. The song is probably influenced by amount of revolts that have happened and still ongoing almost entirely throughout the world, like Black Lives Matter riots, climate change awareness, and some of the revolutionary incident to bring down the corrupted & tyrannical government, which took a perspective from a rioters in the midst of chaos on finding the best option to survive, encountered with dark forces, and how to deal with the havoc despite the dangers inside the conflict.
Matt also added that, lyrically, it was inspired by Bellamy's favorite track from Paul McCartney's (specifically, his band's Wings') song "Live and Let Die". On the further note, he stated "We are at the heaviest moment, adding double pedals, monstrous guitar riffs and deathcore growls in this song". About the song meaning, he implied that this song is describing a human nature during the fallout and adversities, which exhibits the fiend side to survive by instinct and how not to be killed at all costs.
On July 13th, 2022, after the end of the summer festivals tour, it was announced by Muse that Kill or Be Killed would be released on July 21st. The audio of the song was available a day before the official release for those who preordered the album. The preview of the studio version can be heard on TikTok or Reddit.
Instrumentation
Apparently, the second, or perhaps even the heaviest and harshest track that Muse has produced over the past 27 years of their career. One of the most progressive tracks on the Will of the People, that took from tertiary form (A B A B C B A). As such, the song's BPM changes ever so slightly with each section. Additionally, this is the third song that incorporates double pedal kicks, after Dead Inside and Won't Stand Down, and is also the first song after many years to not cut out Matt's inhales.
Many elements of the best records of Muse were mixed together within, the intro was taken from Showbiz (Cave), the guitar had tuned into Origin of Symmetry distortion (Hyper Music, New Born), while the pre-chorus incorporated Absolution's intensity and the chorus section was combined with Black Holes and Revelation arpeggiated synthesizers and Absolution powerful operatic vocals with Drones industrial-based riff
The song's also known for its heavy use of the Whammy pedal. It is most obvious during the main riff, the solo and the post-solo chorus. In the tapping solo, the Whammy is going up and down, mimicking Matt playing sweeping arpeggios. The chord progression during the solo is similar to that of The Globalist's middle section, while the melody of the guitar during the break of the song, written in phrygian scale and B-minor, is reminiscent to that of Break It to Me's verses. Like Reapers Kill or Be Killed features a siren sound effects, which appears during the intro and bridge parts. It also includes screaming whispers, similar to the final "Won't Stand Down" scream in the song of the same name.
As with most metal songs, the bass and guitar were, for most of the song, deliberately written and produced to have it feel as one instrument. Subsequently, all the low end and the grit during most of it comes from Chris himself. Specific inspirations for this included bands like Gojira, Messugah, TesseracT and Periphery.[6]
Music Video
The music video, released together with the studio version on July 21st, 2022, includes a compilation of footage of Muse performing live during the Will of the People Summer Festivals Tour. It's the first "live" music video in 10 years, since Follow Me and Resistance.
Felsmann + Tiley Reinterpretation
Produced by German-British electronic duo, Felsmann + Tiley, who are known for their song reinterpretations, the Feilsmann + Tiley Reinterpretation of Kill or Be Killed was released on digital platforms, on February 10th, 2023. The only element of the original track in the remix are the vocals. It's a complete opposite to the original song, being a much more laid-back and ambient-sounding track. Featuring 80s synths, it's reminiscent to songs like The Void, Pray, and Verona.
The remix can be heard here.
Live
The song was first performed live on June 4th, 2022. It is played by Matt on the same specially-tuned guitar as Won't Stand Down.
More here
Lyrics
Official lyrics as posted by Muse
Kill or be killed
Cornered, I’m exhausted with fear Our love and compassion dissolved And demons, have materialised in me Can’t fight them, they’re taking control And we’ve tried, oh we’ve tried so hard to be good But the world rewards us when we’re bad
Fate, is driving me insane It’s forcing me to face I must kill or be killed
Kill or be killed
They’ve driven a stake right through my heart I’m growing so cold and detached And I’ve tried, oh I’ve tried so hard to spread love But she prefers it when I assert control
Fate has brought us here to face Our hopes and dreams erased Either kill or be killed
Yah, Yah Yah Yah, Yah Yahweh Yah Yahweh Yah Yah Yah Yah Yah Yah Ah Eh Yah Yah Yah Yah Yah Kill or be killed War Kill or be killed Yaaahhh Yah Yah Yah Yah Yah Yah Either kill or be killed
Fate, is driving me insane It’s forcing me to face I must kill or be killed Kill or be killed Kill or be killed Kill or be killed Kill or be killed Kill or be killed
Live
The lyrics during the live version differ slightly from the studio version
Kill or be killed
Cornered, I'm exhausted with fear Our love and compassion dissolved Demons have materialised in me Can't fight them, they're taking control
Tried, oh, I've tried, so hard to be good But the world, rewards us when we're bad
Fate It’s driving me insane It’s forcing me to face I must kill or be killed
Driven a stake right through my heart I'm growing so cold and detached
Tried, oh, I've tried, so hard to spread love But she prefers it when I assert control
Fate Has brought us here to face Our hopes and dreams erased Either kill or be killed
War
Either kill or be killed
Fate It’s driving me insane It’s forcing me to face I must kill or be killed
Kill or be killed
Kill or be killed
References
- ↑ https://wontstanddown.muse.mu/api/v1/catalogue/new/
- ↑ https://www.qobuz.com/nl-nl/album/will-of-the-people-muse/k02hnfrjhdxrc
- ↑ https://youtu.be/BiD9f59oo1w
- ↑ https://themusicuniverse.com/muse-announces-will-people/
- ↑ https://www.instagram.com/p/Ck_Z7sJg128/
- ↑ https://www.reddit.com/r/Muse/comments/w5qt1t/dont_get_me_wrong_kobk_is_an_absolute_banger_but/ihc83q3/?context=3