Difference between revisions of "Exo-Politics (song)"
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==Description== | ==Description== | ||
Very groove-based bass line which is maintained until the chorus which opts for a slight variation on this bass line. A guitar solo heavily based on the chordal progression which then leads back into the verse. The piece ends with the original groove riff played twice and then ended on a tonic chord. Strong lyrics and vocals with a memorable melody especially in the chorus, coupled with the 4-on-the-floor beat and bassline, would seem to indicate that the boys have been listening to Franz Ferdinand a lot lately. | Very groove-based bass line which is maintained until the chorus which opts for a slight variation on this bass line. A guitar solo heavily based on the chordal progression which then leads back into the verse. The piece ends with the original groove riff played twice and then ended on a tonic chord. Strong lyrics and vocals with a memorable melody especially in the chorus, coupled with the 4-on-the-floor beat and bassline, would seem to indicate that the boys have been listening to Franz Ferdinand a lot lately. | ||
Matthew said that: "'Exo Politics' is dealing more with the aspect I think is daffy, though [laughs]. It is about a trade agreement between the US government and extraterrestials, about the use of new technologies. Many people believe that a large part of the contemporary techniques came from a different world. I'm not sure about that, but it is certainly interesting".<ref name="INTROMagazine2007"> | |||
{{cite | | |||
title=INTRO Magazine online article| desc=Interview| date=2007 | auth=INTRO Magazin| url=http://www.intro.de/popmusik/muse-13) | dom=INTRO | fetch=2015-01-16 | type=ext | |||
}}</ref> | |||
Matt has said the idea of the projects being aimed at fighting aliens is much more appealing. While stating he takes this idea seriously, he has been simultaneously reduced to incoherent, hysterical laughter by this | |||
==Additional information== | |||
The theremin sound effect on the introduction is actually played by Matt using a Kaoss pad controller.<ref>[[An Evening with Rich Costey (200703 EQ article)|EQ 200703]]</ref> | The theremin sound effect on the introduction is actually played by Matt using a Kaoss pad controller.<ref>[[An Evening with Rich Costey (200703 EQ article)|EQ 200703]]</ref> | ||
Known as Burning Bandits when first played, by fans who had mistakenly thought is was the Western-themed song ([[Knights of Cydonia (song)|Knights of Cydonia]]) that Matt had referred to in a 2005 interview as the 'Bandit Song'. Early live versions featured an extended introduction and the focus of the lyrics regarded 'demons' instead of (apparent) aliens. When played live, the song is played half a step down, the same as [[Starlight (song) | Starlight]]. | Known as Burning Bandits when first played, by fans who had mistakenly thought is was the Western-themed song ([[Knights of Cydonia (song)|Knights of Cydonia]]) that Matt had referred to in a 2005 interview as the 'Bandit Song'. Early live versions featured an extended introduction and the focus of the lyrics regarded 'demons' instead of (apparent) aliens. When played live, the song is played half a step down, the same as [[Starlight (song) | Starlight]]. | ||
The song is about the inhabitants of the [http://en.wikipedia.org/wiki/Zeta_Reticuli Zeta Reticuli Star System] invading Earth, or as Matt said: "That’s about the possibility of an orchestrated alien invasion created by the New World Order". It is also about PSYOPs, using the paranormal as a method of covering secret "black" projects - for example Groom Lake in Nevada, the role of conflict in controlling public thought, and the [http://en.wikipedia.org/wiki/Strategic_Defense_Initiative Star Wars Strategic Defense project]. | |||
The song was added to [[Guitar Hero 3]] as part of a track pack along with [[Supermassive Black Hole (song)|Supermassive Black Hole]] and [[Stockholm Syndrome (song)|Stockholm Syndrome]]. | The song was added to [[Guitar Hero 3]] as part of a track pack along with [[Supermassive Black Hole (song)|Supermassive Black Hole]] and [[Stockholm Syndrome (song)|Stockholm Syndrome]]. | ||
Revision as of 05:28, 3 July 2015
| Muse song | |
|---|---|
| Name | Exo-Politics |
| Album/single | Black Holes and Revelations (8) |
| Length | 3:53 |
| Alternative titles | |
| First live performance | 8th April 2005 |
| Latest live performance | 22nd November 2006 |
| Recorded | New York Avatar/Electric Lady Studios 2005 |
| Writer/composer | Matthew Bellamy |
| Producer | Rich Costey |
| Chart position | 64 |
<flashmp3>http://www.musewiki.org/images/ExoPolitics.mp3%7Crightbg=0xDDEEFF%7Cleftbg=0xDDEEFF%7Cbg=0xFFFFFF</flashmp3>
| Song Nav | ||||
|---|---|---|---|---|
| Assassin | < | Exo-Politics | > | City of Delusion |
Description
Very groove-based bass line which is maintained until the chorus which opts for a slight variation on this bass line. A guitar solo heavily based on the chordal progression which then leads back into the verse. The piece ends with the original groove riff played twice and then ended on a tonic chord. Strong lyrics and vocals with a memorable melody especially in the chorus, coupled with the 4-on-the-floor beat and bassline, would seem to indicate that the boys have been listening to Franz Ferdinand a lot lately.
Matthew said that: "'Exo Politics' is dealing more with the aspect I think is daffy, though [laughs]. It is about a trade agreement between the US government and extraterrestials, about the use of new technologies. Many people believe that a large part of the contemporary techniques came from a different world. I'm not sure about that, but it is certainly interesting".[4]
Matt has said the idea of the projects being aimed at fighting aliens is much more appealing. While stating he takes this idea seriously, he has been simultaneously reduced to incoherent, hysterical laughter by this
Additional information
The theremin sound effect on the introduction is actually played by Matt using a Kaoss pad controller.[5]
Known as Burning Bandits when first played, by fans who had mistakenly thought is was the Western-themed song (Knights of Cydonia) that Matt had referred to in a 2005 interview as the 'Bandit Song'. Early live versions featured an extended introduction and the focus of the lyrics regarded 'demons' instead of (apparent) aliens. When played live, the song is played half a step down, the same as Starlight.
The song is about the inhabitants of the Zeta Reticuli Star System invading Earth, or as Matt said: "That’s about the possibility of an orchestrated alien invasion created by the New World Order". It is also about PSYOPs, using the paranormal as a method of covering secret "black" projects - for example Groom Lake in Nevada, the role of conflict in controlling public thought, and the Star Wars Strategic Defense project.
The song was added to Guitar Hero 3 as part of a track pack along with Supermassive Black Hole and Stockholm Syndrome.
Trivia
In the Black Holes & Revelations CD sleeve, it says 'Antique items crushed on "Exo-Politics" by Tom Kirk', although this does not appear to be audible on the track/has not yet been heard.
According to Kirk the object that he crushed was an antique brass megaphone. [6]
Lyrics
Studio
Open the skies over me
I am waiting patiently I'll wait for the sign
As conspiracies unwind Will you slam shut or free your mind Or stay hypnotised
When the Zetas fill the skies Will our leaders tell us why Fully loaded satellites Will conquer nothing but our minds
But I'm waiting patiently I'll wait for the sign
Carried through the centuries Secrets locked up and loaded on my back Well it weighs me down
When the Zetas fill the skies It's just our leaders in disguise Fully loaded satellites Will conquer nothing but our minds
But I'm waiting patiently I'll wait for the sign But I'm waiting patiently I'll wait for the sign
2005 tour
Open the skies over me
I am waiting patiently I'll wait for the sign
Whisper through centuries Secrets locked up lonely And I'm waiting until
Stop asking yourself why You can't see the demons in your eyes Stop asking where to find the truth to compensate your lies
So it forms in my mind I am searching for a twisting world And there's no scars on my side
Stop asking yourself why You can't see the demons in your eyes Stop asking, where to find the truth to compensate your lies
Well I'm waiting patiently I’m waiting for a sign Well I’m waiting so patiently But I’ll wait for the truth
References
- ↑ Manchester Field 2005-04-28 set list
- ↑ Buffalo Sphere Entertainment Complex 2005 (gig)
- ↑ Raleigh Disco Rodeo 2005 set list
- ↑ INTRO Magazin. (2007). INTRO Magazine online article. Retrieved 2015-01-16 from INTRO.
- ↑ EQ 200703
- ↑ [Tweet from kirk]
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