Difference between revisions of "Aftermath (song)"

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(→‎Lyrics: Booklet Leaked... adding the lyrics)
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Now and forever
Now and forever
The loneliness has gone
The loneliness has gone


.......
.......
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We've .... agaisnt the tide
We've .... agaisnt the tide
All we have is each other noew
All we have is each other now
I'm coming home now
I'm coming home now
I need your confort
I need your confort

Revision as of 19:54, 2 June 2015

Muse song
Name Aftermath
Album/single Drones
Length 5:48
Alternative titles
First live performance
Latest live performance
Recorded 2014/2015 - The Warehouse Studio, Vancouver, Canada
Writer/composer Matthew Bellamy
Producer Muse, Robert "Mutt" Lange


According to Matt, this is one of the two songs that talk about love; in 'Aftermath' the protagonist finds love again.[1] The song is said to be the opposite of Dead Inside.

The song starts off with the sound of wind, soon joined by violins and synths. Guitars then make up a Hendrix-style ballad.[2] In this song, the protagonist also regains his faith in humanity[3] In another review the song was compared with "One" of Metallica

Lyrics

Incomplete

........

The states shake and walls rise still higher .........

From this moment From this moment you’ll never be alone We're ... together Now and forever The loneliness has gone

....... ....... The faint hearted ...... heart ....

Because now I know Where I belong It's you and I Against the world We are free

From this moment From this moment you’ll never be alone We're ... together Now and forever The loneliness has gone

We've .... agaisnt the tide All we have is each other now I'm coming home now I need your confort

References

  1. Matt Bellamy. (2015-03-23). Triple J - Matt Bellamy, Muse: 'Dead Inside' is about "losing the idea of love". Retrieved 2015-03-23 from Soundcloud.
  2. L'édition du Soir by Philippe Richard. (2015-05-18). Que vaut le nouvel album de Muse?. Ouest-france. Retrieved 2015-05-18 from ouest-france.fr/.
  3. Claudia Rossi. (2015-05-19). Muse, ecco il nuovo ‘Drones': un’opera rock oscura, tra JFK e Orwell. Il Fatto Quotidiano. Retrieved 2015-05-19 from ilfattoquotidiano.it.


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