Difference between revisions of "Reapers (song)"

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[[File:ReapersArtworkBooklet.jpg|thumb|right|Artwork]]
{{Songbox
{{Songbox
| Name = Reapers
| Name = Reapers
| Album = [[Drones (album)|Drones]]
| Album = {{drop
| Length =  
|[[Drones (album)|Drones]] <small>(5)</small>
|[[Reapers (single)|Reapers]] <small>(1, 2)</small>
|[[Live at Koln - Gloria Theatre (EP)|Live at Koln - Gloria Theatre]] <small>(4)</small>
|[[Drones World Tour (live)|Drones World Tour]] <small>(4)</small>
}}
| Length = 5:59
| AltTitles =
| AltTitles =
| First = [[Sheffield Arena 2009 (gig)|4th November 2009]] <small>(riff)</small> [[Belfast Ulster Hall 2015 (gig)|15th March 2015]] <small>(full)</small>
| First = [[Belfast Ulster Hall 2015 (gig)|15{{supo|th}} March 2015]] <small>(full)</small>, [[Waitakere Trusts Stadium 2007 (gig) | 23{{supo|rd}} November 2007]] <small>(riff)</small>
| Latest =
| Latest = [[Pilton Worthy Farm 2016 (gig)|24{{supo|th}} June 2016]] <small>(full)</small>, [[Lima Hipódromo de Monterrico 2019 (gig)|15{{supo|th}} October 2019]] <small>(shortened)</small>
| Recorded = 2014/2015 - [[The Warehouse Studio]], Vancouver, Canada
| Recorded = 2014/2015 - [[The Warehouse Studio]], Vancouver, Canada
| Writer = [[Matthew Bellamy]]
| Writer = [[Matthew Bellamy]]
Line 15: Line 21:
| Current = Reapers
| Current = Reapers
| Next = [[The Handler (song)|The Handler]]
| Next = [[The Handler (song)|The Handler]]
}}
<br>
{{AlbumNav2
| Previous = [[The 2nd Law (album) | The 2nd Law ''(2012)'']]
| Current = [[Drones (album) | Drones ''(2015)'']]
| Next = [[Simulation Theory (album) | Simulation Theory ''(2018)'']]
}}
}}
'''[https://www.youtube.com/watch?v=gcNEC9NaJuE Listen]'''


==Information==
==Information==
Reapers is about not having empathy at all, the reason why words like ‘babe’ appear is because Matt tried to mix a political and a personal side to it. <ref>
{{cite |
title=Interview: Muse on their new album, Drones | desc=Radio interview | date=2015-06-10 | fetch=2015-06-10 | pub=Xfm | url=http://www.xfm.co.uk/artists/muse/albums/drones/#yuuMuDRtPjz74bHW.97 | dom=xfm.co.uk | med=Webpage | type=ext
}}</ref>


The song features a large amount of falsetto singing and guitar solos.
The song features a large amount of falsetto singing and guitar solos.
Line 24: Line 43:
{{cite/web |
{{cite/web |
  title=#MuseDrones| date=2015-02- | fetch=2015-03-18 | desc=Image | auth=Instagram | pub=Muse | url=https://instagram.com/p/zwFX9fHXT8/ | dom=instagram.com | type=ext
  title=#MuseDrones| date=2015-02- | fetch=2015-03-18 | desc=Image | auth=Instagram | pub=Muse | url=https://instagram.com/p/zwFX9fHXT8/ | dom=instagram.com | type=ext
}}</ref>
}}</ref> Matt also mentions them in the song; "Reapers and Hawks".


The riff used to be played as an outro to Plug In Baby in The Resistance Tour with the riff developing through the same tour.<ref name="piblive20101105">
The tapping intro used to be played as an outro to Plug In Baby in The Resistance Tour with the riff developing through the same tour.<ref name="piblive20091104">
{{cite |
title=Plug In Baby Live from Sheffield Arena 2009 (3:38-3:50) | desc=Video| date=2009-11-04 | auth=Youtube | url=https://www.youtube.com/watch?v=iYUoyt2iQpc | dom=Youtube | fetch=2015-04-15 | type=ext
}}</ref><ref name="piblive20101105">
{{cite |
{{cite |
  title=Plug In Baby Live from Seattle 2010 (4:32-5:55) | desc=Video| date=2015-05-11 | auth=Youtube | url=https://www.youtube.com/watch?v=Y_RC6Jrhqsk | dom=Youtube | fetch=2015-04-15 | type=ext  
  title=Plug In Baby Live from Seattle 2010 (4:32-5:55) | desc=Video| date=2015-05-11 | auth=Youtube | url=https://www.youtube.com/watch?v=Y_RC6Jrhqsk | dom=Youtube | fetch=2015-04-15 | type=ext  
}}</ref> with the riff developing through the same tour.
}}</ref> but traces of the song can be traced back to 2008 as an intro to Stockholm Syndrome as seen in footage from Muse live at the Grand Rex in Argentina.<ref>
{{cite |
title=Muse - Stockholm Syndrome live @ Gran Rex 2008 (Buenos Aires, Argentina) (0:07-0:40) | desc=Video| date= | auth=Youtube | url=https://www.youtube.com/watch?v=DhoHH4iETio | dom=Youtube | fetch=2016-01-19 | type=ext
}}</ref>
 
In the end, faint, distorted and electronic voices saying "Follow the Yellow Brick Road" appear. <ref>{{cite |
title=Working on some late night programming...| desc=Video| date= | auth=Instagram | url=https://instagram.com/p/0ZK4DqHXZe/ | dom=Instagram | fetch= | type=ext
}}</ref>
 
This song heavily shows the influence of Rage Against the Machine on Muse. The main riff of the chorus is almost the same to the intro of Rage Against the Machine's Bombtrack, while the outro is similar to Rage Against the Machine's Freedom outro, which they also played after Stockholm Syndrome on The 2nd Law tour.


==Composition and analysis==
==Composition and analysis==
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Following the second chorus, Howard drums in unison with Bellamy as he plays the primary riff. Wolstenholme continues this motif as Bellamy launches into a guitar solo, filled with pitch-shifting effects, tapping and chromatic melodies. The riff ascends as the key changes to E minor, eventually climbing through the fourth and fifth to revisit the chorus one last time.
Following the second chorus, Howard drums in unison with Bellamy as he plays the primary riff. Wolstenholme continues this motif as Bellamy launches into a guitar solo, filled with pitch-shifting effects, tapping and chromatic melodies. The riff ascends as the key changes to E minor, eventually climbing through the fourth and fifth to revisit the chorus one last time.


As the final chorus ends, riffs give way to arpeggiated chords as the song builds to a dramatic climax, at which point the tempo suddenly drops and Bellamy howls over a chromatic bassline played by Wolstenholme. As the intensity builds, Bellamy doubles the bassline on his guitar as air raid sirens sound and Wolstenholme repeatedly screams "CONTROL!" into the microphone.
As the final chorus ends, riffs give way to arpeggiated chords as the song builds to a dramatic climax, at which point the tempo suddenly drops and Bellamy howls over a chromatic bassline played by Wolstenholme. As the intensity builds, Bellamy doubles the bassline on his guitar as air raid sirens sound and repeatedly screams "HERE COME THE DRONES!" into the microphone.
 
== Trivia ==
The song originally intended to have "hooligan backing vocals" when the "Drones!" part kicks in, similar to Uprising with the "oy" parts, but were replaced with a distorted whispering voice. <ref>{{cite |
title=Drones! Hooligan bv-s| desc=Video| date= | auth=Instagram | url=https://instagram.com/p/zi4eN_HXY9/ | dom=Instagram | fetch= | type=ext
}}</ref>
 
==Live==
 
Reapers has been a fan favourite since its debut in Belfast. The song was performed at most of the 2015 gigs, but has been on rotation with Revolt since December 2015. At one point holding the second highest performance count of any Drones song, whenever Reapers was skipped at a live date, fans reacted with a flurry of tweets using the hashtag "RIPers". This event took place most famously around December 2015 when the song was skipped at three dates, causing upset fans to react with mild aggression on social media websites. Likely because of this, despite it being on rotation with Revolt and, during 2016, Stockholm Syndrome, it has been played at most gigs since December 19, 2015.
 
[[Reapers (live) | More here]]


==Lyrics==
==Lyrics==
''Incomplete ''
{{lyrics
{{lyrics
|[Verse 1]
|[VERSE 1]
 
Home
Home
It's becoming a killing field
It's becoming a killing field
There's a crosshair locked on my heart
There's a cross-hair locked on my heart
 
With no recourse
With no recourse
And there's no one behind the wheel
And there's no one behind the wheel
Hellfire
Hellfire
You are wiping me out
You're wiping me out
Crossfire
Killed by
 
[PRE-CHORUS]
Drones!
(killed by)
Drones!
Drones!
(killed by)
[CHORUS 1]
You rule with lies and deceit
And the world is on your side
'Cause you've got the CIA, babe
(you can run but you're never gonna hide, you can run but you're never gonna gonna gonna)
But all you've done is brutalise
(you can run but you're never gonna hide, you can run but you're never gonna gonna gonna)
Drones!
Drones!
 
[Chorus]
[VERSE 2]
 
We will rise in the sea
Bodies on the shore
???
Now I am radicalised
 
[Verse 2]
 
War
War
War just moved up a gear
War just moved up a gear
I don't think I can know the truth
I don't think I can handle the truth
And trust upon  and we're all expendable
I'm just a pawn
???
And we're all expendable
???
Incidentally
Crossfire
Electronically erased
By your
[PRE-CHORUS]
Drones!
(killed by)
Drones!
(killed by)
[CHORUS 2]
You kill by remote control
And the world is on your side
You've got reapers and hawks, babe
(you can run but you're never gonna hide, you can run but you're never gonna gonna gonna)
Now I am radicalised
(you can run but you're never gonna hide, you can run but you're never gonna gonna gonna)
Drones!
[BREAKDOWN]
(killed by)
[SOLO]
(you can run but you're never gonna hide, you can run but you're never gonna gonna gonna)
(you can run but you're never gonna hide, you can run but you're never gonna gonna gonna)
[CHORUS 3]
You rule with lies and deceit
And the world is on your side
You've got the CIA, babe
All you've done is brutalise
You kill by remote control
(you can run but you're never gonna hide, you can run but you're never gonna gonna gonna)
And the world is on your side
(you can run but you're never gonna hide, you can run but you're never gonna gonna gonna)
You've got reapers and hawks babe
(you can run but you're never gonna hide, you can run but you're never gonna gonna gonna)
Now I am radicalised
(you can run but you're never gonna hide, you can run but you're never gonna gonna gonna)
[OUTRO]
Here come the drones!
[SIREN]
Here come the drones!
Here come the drones!


[Chorus]
Follow the yellow brick road [repeated]
 
}}
Kill under my control
Bodies on the shore
To become reapers and horsemen
Now I am radicalised
 
[Solo]
 
[Final chorus]
 
We will rise in the sea
Bodies on the shore
???
???
 
Kill under my control
Bodies on the shore
To become reapers and horsemen
Now I am radicalised}}


==References==
==References==

Latest revision as of 22:47, 19 January 2022

Artwork
Muse song
Name Reapers
Album/single
Length 5:59
Alternative titles
First live performance 15th March 2015 (full), 23rd November 2007 (riff)
Latest live performance 24th June 2016 (full), 15th October 2019 (shortened)
Recorded 2014/2015 - The Warehouse Studio, Vancouver, Canada
Writer/composer Matthew Bellamy
Producer Muse, Robert "Mutt" Lange


Listen

Information

Reapers is about not having empathy at all, the reason why words like ‘babe’ appear is because Matt tried to mix a political and a personal side to it. [1]

The song features a large amount of falsetto singing and guitar solos.

There are 'Drones' under the name "MQ-9 Reaper", Muse used photos of various drones with a similar look to this kind of drones in their instagram photos.[2] Matt also mentions them in the song; "Reapers and Hawks".

The tapping intro used to be played as an outro to Plug In Baby in The Resistance Tour with the riff developing through the same tour.[3][4] but traces of the song can be traced back to 2008 as an intro to Stockholm Syndrome as seen in footage from Muse live at the Grand Rex in Argentina.[5]

In the end, faint, distorted and electronic voices saying "Follow the Yellow Brick Road" appear. [6]

This song heavily shows the influence of Rage Against the Machine on Muse. The main riff of the chorus is almost the same to the intro of Rage Against the Machine's Bombtrack, while the outro is similar to Rage Against the Machine's Freedom outro, which they also played after Stockholm Syndrome on The 2nd Law tour.

Composition and analysis

Reapers is perhaps one of the most progressive songs in Muse's catalog, featuring prominent use of modulation, demanding guitar work and an uncharacteristically improvised solo.

Guitar feedback and pounding drums introduce the song before Bellamy lunges into a tapped guitar solo with an unstable tonal center. Eventually rooting in D minor, the verse establishes an urgent air of desperation, as Bellamy sings of domestic conflict and drone warfare. The lyrics make reference to the "AGM-114 Hellfire" air-to-surface missile commonly used in aerial combat vehicles. The verse follows the Andalusian cadence twice, a chord progression also found in Citizen Erased and Resistance, with Wolstenholme's bass walking across the ninth of each chord.

Bellamy and Wolstenholme play in unison for the primary guitar riff, which uses the D minor pentatonic scale and is backed by a "Drones!" chant. The riff climbs chromatically to establish a new tonal centre in the G Mixolydian mode, providing a strong chorus for Bellamy's declaration that he is ready to become a reaper. Before long, the stop-start chugging guitars give way to another tapping solo, and eventually the verse and chorus repeat again.

Following the second chorus, Howard drums in unison with Bellamy as he plays the primary riff. Wolstenholme continues this motif as Bellamy launches into a guitar solo, filled with pitch-shifting effects, tapping and chromatic melodies. The riff ascends as the key changes to E minor, eventually climbing through the fourth and fifth to revisit the chorus one last time.

As the final chorus ends, riffs give way to arpeggiated chords as the song builds to a dramatic climax, at which point the tempo suddenly drops and Bellamy howls over a chromatic bassline played by Wolstenholme. As the intensity builds, Bellamy doubles the bassline on his guitar as air raid sirens sound and repeatedly screams "HERE COME THE DRONES!" into the microphone.

Trivia

The song originally intended to have "hooligan backing vocals" when the "Drones!" part kicks in, similar to Uprising with the "oy" parts, but were replaced with a distorted whispering voice. [7]

Live

Reapers has been a fan favourite since its debut in Belfast. The song was performed at most of the 2015 gigs, but has been on rotation with Revolt since December 2015. At one point holding the second highest performance count of any Drones song, whenever Reapers was skipped at a live date, fans reacted with a flurry of tweets using the hashtag "RIPers". This event took place most famously around December 2015 when the song was skipped at three dates, causing upset fans to react with mild aggression on social media websites. Likely because of this, despite it being on rotation with Revolt and, during 2016, Stockholm Syndrome, it has been played at most gigs since December 19, 2015.

More here

Lyrics

[VERSE 1]

Home It's becoming a killing field There's a cross-hair locked on my heart With no recourse And there's no one behind the wheel Hellfire You're wiping me out Killed by

[PRE-CHORUS] Drones! (killed by) Drones! (killed by)

[CHORUS 1] You rule with lies and deceit And the world is on your side 'Cause you've got the CIA, babe (you can run but you're never gonna hide, you can run but you're never gonna gonna gonna) But all you've done is brutalise (you can run but you're never gonna hide, you can run but you're never gonna gonna gonna) Drones!

[VERSE 2] War War just moved up a gear I don't think I can handle the truth I'm just a pawn And we're all expendable Incidentally Electronically erased By your

[PRE-CHORUS] Drones! (killed by) Drones! (killed by)

[CHORUS 2] You kill by remote control And the world is on your side You've got reapers and hawks, babe (you can run but you're never gonna hide, you can run but you're never gonna gonna gonna) Now I am radicalised (you can run but you're never gonna hide, you can run but you're never gonna gonna gonna) Drones!

[BREAKDOWN] (killed by)

[SOLO] (you can run but you're never gonna hide, you can run but you're never gonna gonna gonna) (you can run but you're never gonna hide, you can run but you're never gonna gonna gonna)

[CHORUS 3] You rule with lies and deceit And the world is on your side You've got the CIA, babe All you've done is brutalise You kill by remote control (you can run but you're never gonna hide, you can run but you're never gonna gonna gonna) And the world is on your side (you can run but you're never gonna hide, you can run but you're never gonna gonna gonna) You've got reapers and hawks babe (you can run but you're never gonna hide, you can run but you're never gonna gonna gonna) Now I am radicalised (you can run but you're never gonna hide, you can run but you're never gonna gonna gonna)

[OUTRO] Here come the drones! [SIREN] Here come the drones! Here come the drones!

Follow the yellow brick road [repeated]

References

  1. ↑ Interview: Muse on their new album, Drones (2015-06-10). Xfm. Retrieved 2015-06-10 from xfm.co.uk.
  2. ↑ Instagram. (2015-02-). #MuseDrones. Muse. Retrieved 2015-03-18 from instagram.com.
  3. ↑ Youtube. (2009-11-04). Plug In Baby Live from Sheffield Arena 2009 (3:38-3:50). Retrieved 2015-04-15 from Youtube.
  4. ↑ Youtube. (2015-05-11). Plug In Baby Live from Seattle 2010 (4:32-5:55). Retrieved 2015-04-15 from Youtube.
  5. ↑ Youtube. Muse - Stockholm Syndrome live @ Gran Rex 2008 (Buenos Aires, Argentina) (0:07-0:40). Retrieved 2016-01-19 from Youtube.
  6. ↑ Instagram. Working on some late night programming.... Retrieved from Instagram.
  7. ↑ Instagram. Drones! Hooligan bv-s. Retrieved from Instagram.


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