Difference between revisions of "Vocals"
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===Microphone=== | ===Microphone=== | ||
[[Image:KMS105.jpg|thumb|right|Neumann KMS 105]] | [[Image:KMS105.jpg|thumb|right|Neumann KMS 105]] | ||
[[Matthew Bellamy|Matt's]] choice of live microphone is a Neumann KMS 105. He prefers to use this microphone as it deals with his challenging mic technique (not singing very close to it). The first apparent signs of [[Matt Bellamy]] using this microphone are in 2002 but it is probable he used it before in 2001. [[Chris Wolstenholme]] started using this microphone later on probably in the | [[Matthew Bellamy|Matt's]] choice of live microphone is a Neumann KMS 105. He prefers to use this microphone as it deals with his challenging mic technique (not singing very close to it). The first apparent signs of [[Matt Bellamy]] using this microphone are in 2002 but it is probable he used it before in 2001. [[Chris Wolstenholme]] started using this microphone later on probably in the 2004 period. | ||
''Designed with superlative vocal reproduction in mind, the KMS 105 brings Neumann quality to the demanding sound reinforcement environment. With its supercardioid polar pattern, low self-noise and uncoloured off-axis pickup, the KMS 105 complements in-ear monitor systems. By employing a unique four-layer acoustic filter, the KMS 105 minimises popping and wind noise, and because of special mechanical and electrical filters handling noise is virtually eliminated. Superior resolution and linear frequency response make it very easy for the artist using the KMS 105 to identify whether he or she is "on mic".'' | ''Designed with superlative vocal reproduction in mind, the KMS 105 brings Neumann quality to the demanding sound reinforcement environment. With its supercardioid polar pattern, low self-noise and uncoloured off-axis pickup, the KMS 105 complements in-ear monitor systems. By employing a unique four-layer acoustic filter, the KMS 105 minimises popping and wind noise, and because of special mechanical and electrical filters handling noise is virtually eliminated. Superior resolution and linear frequency response make it very easy for the artist using the KMS 105 to identify whether he or she is "on mic".'' | ||
Revision as of 07:30, 13 February 2010
Live Vocals
Microphone
Matt's choice of live microphone is a Neumann KMS 105. He prefers to use this microphone as it deals with his challenging mic technique (not singing very close to it). The first apparent signs of Matt Bellamy using this microphone are in 2002 but it is probable he used it before in 2001. Chris Wolstenholme started using this microphone later on probably in the 2004 period.
Designed with superlative vocal reproduction in mind, the KMS 105 brings Neumann quality to the demanding sound reinforcement environment. With its supercardioid polar pattern, low self-noise and uncoloured off-axis pickup, the KMS 105 complements in-ear monitor systems. By employing a unique four-layer acoustic filter, the KMS 105 minimises popping and wind noise, and because of special mechanical and electrical filters handling noise is virtually eliminated. Superior resolution and linear frequency response make it very easy for the artist using the KMS 105 to identify whether he or she is "on mic".
The Neumann KMS 105 is used extensively by many large bands and costs around the £400 mark.
Processing
Matt's voice goes through three stages when singing live.
- Normal, standard clean vocal with no effects
- Through an Avalon VT737 with high gain that produces a "nice valve distorted" sound
- Through a SansAmp PSA in conjunction with a custom control switch operated by Bellamy to get extreme distortion.
Matt's voice also goes through System 6000 reverbs, a TC delay and an H35000.
See also
- Microphones (for other microphones used by Muse)
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