Difference between revisions of "Drones Festivals Tour 2016"

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[[File:DFTStageDesign.jpg|thumb|right|Stage design]]
[[File:DFTStageDesign.jpg|thumb|right|Stage design]]
The '''Drones Festivals Tour''' began with Muse headlining at the [[Pilton Worthy Farm 2016 (gig)|Glastonbury Festival 2016]] on June 24th 2016. It lasted throughout the Summer and ended with the [[Krakow Live 2016 (gig)|Krakow Live]] festival. The tour included European festivals, plus a special one-off gig at [[Reykjavik Laugardalsholl 2016 (gig)|Reykjavik's Laugardalsholl]].
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| Next = [[North American Summer Amphitheatre Tour 2017]]
| Next = [[North American Summer Amphitheatre Tour 2017]]
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The '''Drones Festivals Tour''' began with Muse headlining at the [[Pilton Worthy Farm 2016 (gig)|Glastonbury Festival 2016]] on June 24th 2016. It lasted throughout the Summer and ended with the [[Krakow Live 2016 (gig)|Krakow Live]] festival. The tour included European festivals, plus a special one-off gig at [[Reykjavik Laugardalsholl 2016 (gig)|Reykjavik's Laugardalsholl]].


== Information ==
== Information ==


The festivals tour began shortly after the arena tour ended with Muse headlining for the third time at the [[Pilton Worthy Farm 2016 (gig)|Glastonbury Festival]]. The setlists of the tour were based around the 360 sets but accomodated for the festival stage.
The festivals tour began shortly after the arena tour ended, with Muse headlining the [[Pilton Worthy Farm 2016 (gig)|Glastonbury Festival]] for the third time. The setlists of the tour were based around the 360/arena tour sets, but accomodated for the festival stage.


== Stage Design/Production ==
== Stage Design/Production ==
The overall design of the stage was minimalistic and stripped back, compared to previous festival stage designs. Behind the band are 11 cuboid monoliths with video screens at the front and see-through panels at the sides which allow the sides to be lit up from the insides. Each of them can move forward or backward independently. According to Matt, it is all controlled by hands and no machines are used in the process of controlling the monoliths.


Morgan had his keyboard placed on a movable boom arm which was connected to Dom's drum riser. Matt's feedback amp, which wasn't present on the 360 tour, returned. The piano was only used for The Globalist and was always (apart from the last gig) the Upright Piano, and like the rest of the tour no CO2 cannons where used during or at the end of the show. Confetti and streamers were used during Mercy again.
The overall design of the stage was minimalistic and stripped back, compared to previous festival stage designs, while still providing an interesting show. Behind the band were eleven cuboid monoliths, with video screens at the front, and see-through panels, at the sides which allow them to be lit up from the insides. Each of them can move forward or backward independently. According to Matt, it was all controlled by hand, with roadies behind the monoliths, and no machines are used in the process of controlling them. During the Reykjavik gig, the movable monoliths were replaced with a big LED screen due to the size of the stage.


Due to the tour taking place in outside areas, Muse also weren't able to bring in drones for health and safety reasons.
Morgan had his keyboard placed on a movable boom arm, which was connected to Dom's drum riser. Matt's feedback amp, which wasn't present on the 360 tour, returned. The piano was only used for The Globalist, and was always (apart from the last gig), the upright piano. Like the rest of the tour, no CO2 cannons where used during, or at the end of the show. Confetti and streamers were used during Mercy. Pyro was used once, during the Glastonbury gig, for [[The Globalist (song)|The Globalist]].


During the Reykjavik gig, the movable monoliths were replaced with an LED screen due to the size of the stage.
Due to the tour taking place in outside areas, Muse weren't able to bring in physical drones, which were present during the arena tour. This was done for health and safety reasons, as outside elements would made the drones easier to loose control and fall into the crowd.
 
Pyro was used during the Glastonbury gig for [[The Globalist (song)|The Globalist]].


== Typical Setlist ==
== Typical Setlist ==
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===Notes===
===Notes===
*Sometimes an additional song was played before Isolated System such as [[Map of the Problematique (song)|Map of the Problematique]].
*Sometimes an additional song was played before Isolated System such as [[Map of the Problematique (song)|Map of the Problematique]].
*For the first four gigs, [[Starlight (song)|Starlight]] was played after Supermassive Black Hole. After that, [[Starlight (song)|Starlight]] and [[Hysteria (song)|Hysteria]]'s slots were swapped.
*For the first four gigs, [[Starlight (song)|Starlight]] was played after Supermassive Black Hole. After that, [[Starlight (song)|Starlight]] and [[Hysteria (song)|Hysteria]]'s slots were swapped.

Revision as of 18:15, 2 June 2022

Stage design



The Drones Festivals Tour began with Muse headlining at the Glastonbury Festival 2016 on June 24th 2016. It lasted throughout the Summer and ended with the Krakow Live festival. The tour included European festivals, plus a special one-off gig at Reykjavik's Laugardalsholl.

Information

The festivals tour began shortly after the arena tour ended, with Muse headlining the Glastonbury Festival for the third time. The setlists of the tour were based around the 360/arena tour sets, but accomodated for the festival stage.

Stage Design/Production

The overall design of the stage was minimalistic and stripped back, compared to previous festival stage designs, while still providing an interesting show. Behind the band were eleven cuboid monoliths, with video screens at the front, and see-through panels, at the sides which allow them to be lit up from the insides. Each of them can move forward or backward independently. According to Matt, it was all controlled by hand, with roadies behind the monoliths, and no machines are used in the process of controlling them. During the Reykjavik gig, the movable monoliths were replaced with a big LED screen due to the size of the stage.

Morgan had his keyboard placed on a movable boom arm, which was connected to Dom's drum riser. Matt's feedback amp, which wasn't present on the 360 tour, returned. The piano was only used for The Globalist, and was always (apart from the last gig), the upright piano. Like the rest of the tour, no CO2 cannons where used during, or at the end of the show. Confetti and streamers were used during Mercy. Pyro was used once, during the Glastonbury gig, for The Globalist.

Due to the tour taking place in outside areas, Muse weren't able to bring in physical drones, which were present during the arena tour. This was done for health and safety reasons, as outside elements would made the drones easier to loose control and fall into the crowd.

Typical Setlist

Encore

Notes

Gigs

Date Venue Location
2016-08-21 Krakow Live Krakow, Poland
2016-08-20 Rock am See Konstanz, Germany
2016-08-19 Lowlands Festival Biddinghuizen, Netherlands
2016-08-13 Sziget Festival Budapest, Hungary
2016-08-06 Laugardalsholl Reykjavik, Iceland
2016-07-29 Rock The City Bucharest, Romania
2016-07-26 Istanbul Blue Night Istanbul, Turkey
2016-07-23 Ejekt Festival Athens, Greece
2016-07-19 Paléo Festival Nyon, Switzerland
2016-07-18 Nîmes Festival Nîmes, France
2016-07-16 Festival Internacional de Benicàssim Benicàssim, VC, Spain
2016-07-14 Gurten Festival Berne, Switzerland
2016-07-08 U-Park Festival Kyiv, Ukraine
2016-07-02 Auditorium Stravinski (Montreux Jazz Festival) Montreux, Switzerland
2016-06-30 Garorock Festival Marmande, France
2016-06-28 Eiffel Tower Paris, France
2016-06-24 Worthy Farm (Glastonbury Festival) Pilton, UK

See Also

References



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