Difference between revisions of "Bass"
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*[[Status Chris Wolstenholme Signature Bass]] | *[[Status Chris Wolstenholme Signature Bass]] | ||
*[[Status Original Series II]] | |||
*[[Status Kitara Doubleneck Bass]] | |||
*[[Status S2-Classic]] | |||
== [[Drones (album) |Drones]] == | == [[Drones (album) |Drones]] == |
Revision as of 22:37, 15 June 2017
Straps
Chris mainly uses straps from Status Graphite, but has been seen using ones from Manson Guitar Works - the same as Bellamy uses
North American Summer Amphitheatre Tour 2017
Basses
- Status Chris Wolstenholme Signature Bass
- Status Original Series II
- Status Kitara Doubleneck Bass
- Status S2-Classic
Drones
For the new Drones tour, Chris kept the bass setup the same as for The 2nd Law tour, with the 5-string Jazz Bass making a return for Assassin. Chris switched from Marshall to Markbass heads and Markbass cabinets for the Drones tour. The Kemper amps serve for the two distortion/fuzz channels, one for Big Muff and another one for Animato. He also uses an Empirical labs Distressor. In the studio, Chris used Status bass guitars, with a Gretsch Thunder Jet making an appearance on New Kind of Kick.
Basses
- Fender American Deluxe 5-String
- Fender Jazz Bass '77
- Status Chris Wolstenholme Signature Bass
- Status Original Series II
- Status Kitara Doubleneck Bass
- Status S2-Classic
- Gretsch G6128B Thunder Jet
Effects (Tour - off-stage)
Rack 1
- ETA Systems EPD11 LVIEC-CE
- Empirical Labs Distressor EL8-X
- Custom connector panel (unknown)
- Markbass SD1200
- Markbass SD1200 (backup)
- Kemper Profiling Amplifier (black) (Big Muff)
- Kemper Profiling Amplifier (black) (Animato)
Rack 2
- ETA Systems EPD11 LVIEC-CE
- Skrydstrup Bass Routing System
- Shure UA845 Antenna /Power Distribution
- Shure UR4D
- Shure UR4D
- Skrydstrup MR10
- Skrydstrup MR10
- TC Electronic G-Major 2
- FX Tray 1 (unknown)
- FX Tray 2 (unknown)
- FX Tray 3 (unknown)
- Electrix Filter Factory
Cabinets
- 2x Markbass 115HR
The 2nd Law
Chris changed his setup, in comparison with that from The Resistance Tour, before recording The 2nd Law. By start of The 2nd Law tour he did again some changes.
Basses
- Dean Stylist
- Fender Jazz Bass '77
- Fender Jazz Bass '73
- Status Chris Wolstenholme Signature Bass
- Status Chris Wolstenholme Signature Bass 5-string
- Status Original Series II
- Status S2-Classic
- Status The KingBass Mk-II
- Status Kitara Doubleneck Bass
Effects (Tour)(off stage)
Rack 1
- ETA Systems EPD11 LVIEC-CE
- (unknown)
- Custom connector panel (unknown)
- Tech21 Sansamp PSA 1.1
- Marshall DBS 7400
- Marshall DBS 7400
- Kemper Profiling Amplifier (black)
- Kemper Profiling Amplifier (black)
Rack 2
- ETA Systems EPD11 LVIEC-CE
- Skrydstrup Bass Routing System
- Shure UA845 Antenna /Power Distribution
- Shure UR4D
- Shure UR4D
- Skrydstrup MR10
- Skrydstrup MR10
- TC Electronic G-Major 2
- FX Tray 1 (unknown)
- FX Tray 2 (unknown)
- FX Tray 3 (unknown)
Control
- Liquid-Foot Pro MIDI Controller (Chris' bass tech does all switches)
Effects (tour)(on stage)
- Liquid-Foot Pro MIDI Controller (Chris doesn't use this controller, except for rehearsals)
- Korg DTR2000 Tuner
Effects (Studio)
Rack 1
- ETA Systems EPD11 LVIEC-CE
- TC Electronic G-Major 2
- Line 6 Bass Pod XT Pro
- Tech21 Sansamp PSA 1.1
- Tech21 Sansamp PSA 1.1
- Custom connector panel
- Marshall DBS 7400
- Marshall DBS 7400
- Marshall DBS 7400
- Marshall DBS 7400
(While live, he’s being amplified through two SD1200 heads and four Standard 151HR cabinets) ( ? )
Top of the rack 1
- Markbass MoMark SD800 into a Standard 104HF cabinet
- Markbass SD1200 into a Classic 152 cabinet
- Ampeg SVT-VR
Rack 2
- ETA Systems EPD11 LVIEC-CE
- Skrydstrup Bass Routing System
- Shure UA845 Antenna /Power Distribution
- Shure UR4D
- Shure UR4D
- Skrydstrup MR10
- Skrydstrup MR10
- Skrydstrup MR10
- Electrix Filter Queen + Electrix EQ Killer
- Paul Lenders Muse AC-Tool
- Paul Lenders Muse DC-Tool
FX Tray 1
- Way Huge Pork Loin
- ZVex Woolly Mammoth
- Human Gear Animato Distortion (Perhaps)
- Electro-harmonix Big Muff Russian (Perhaps)
- Electro-harmonix Big Muff Russian (Perhaps)
FX Tray 2
- Line 6 FM4
- Electro-harmonix Octave Multiplexer Vintage
- Human Gear Animato Distortion (Perhaps)
- Electro-harmonix Big Muff Russian (Perhaps)
- Digitech Bass Synth Wah (Perhaps)
FX Tray 3
- Homebrew Electronic Hematoma (repainted)
- ZVex Mastotron
- Electro-harmonix Octave Multiplexer (Perhaps)
- Electro-harmonix Micro Qtron (Perhaps)
- Akai Deep Impact Synth Bass SB-1 (Perhaps)
Top of the rack 2
- Way Huge Aqua-Puss
- Way Huge Green Rhino
- Way Huge Fat Sandwich
- Way Huge Swollen Pickle
- Way Huge Angry Troll
- Crowther Audio Prunes and Custard
Other gear (studio)
- Aviom A-16II
- Expression Pedal
- A Designs REDDI Tube D.I.
The Resistance
Basses
- Noah Guitars Excalibur Bass
- Fender Jazz Basses (various models)
- Rickenbacker 4001
- Status Original Series II
- Status S2-Classic
- Status Super-Vintage GP
- Status The KingBass Mk-II
- Gibson Grabber
- Gibson Ripper
The Gibson Ripper hasn't been seen live, but Chris' bass tech, Shane Goodwin, has mentioned it in a short interview for Dunlop TV. However, it is possible he mistook this bass for the Gibson Grabber, as it is seen in the interview.
As from the Status Graphite basses, he first used the Status Original Series II headless in the studio recording "The Resistance". During the Resistance tour he received all his following status basses.
Amps
- 4x Marshall DBS 7400
- Line 6 Bass Pod XT Pro (Ampsimulation)
- 2x Tech 21 Sansamp PSA1 (Ampsimulation)
- Ampeg SVT-VR (only used in studio)
- Ampeg SVT-410HE ( ? )
- Ampeg SVT-15E ( ? )
Effects (off stage)
Rack 1
- ETA Systems EPD11 LVIEC-CE
- T.C Electronics G-Major/2
- Line 6 Bass Pod XT Pro
- Tech21 Sansamp PSA 1.1
- Tech21 Sansamp PSA 1.1
- Custom connector panel
- Marshall DBS 7400
- Marshall DBS 7400
- Marshall DBS 7400
- Marshall DBS 7400
Top of the rack 1
- Electrix Filter Factory
Rack 2
- ETA Systems EPD11 LVIEC-CE
- Skrydstrup Bass Routing System
- Shure UA845 Antenna /Power Distribution
- Shure UR4D
- Shure UR4D
- Skrydstrup MR10
- Skrydstrup MR10
- Sound Sculpture (SS) Switchblade GL
- Paul Lenders Muse AC-Tool
- Paul Lenders Muse DC-Tool
FX Tray 1
- Human Gear Animato Distortion
- Electro-Harmonix Big Muff Pi (Russian)
- Electro-Harmonix Octave Multiplexer (Vintage)
- Crowther Audio Prunes and Custard
- Z-Vex Woolly Mammoth
FX Tray 2
- Human Gear Animato Distortion
- Electro-Harmonix Big Muff Pi (Russian)
- Digitech Bass Synth Wah
- Line 6 FM4
- Electro-Harmonix Big Muff Pi (Russian)
FX Tray 3
- Boss OC-2 Octave
- Electro-Harmonix Q-Tron (Micro)
- Akai Deep Impact SB-1 Bass Synth
- HomeBrew Electronics (HBE) Hematoma
- There is then a gap with 2 un-connected patch cables, possibly for the Boss DD-3
Cabinets
Stated in the Bass Guitar Magazine from 2009 as,
- 1x Mills Acoustics 115B
- 2x Mills Acoustics 410B
Both of these cabs are debatable, as in the DunlopTV interview Shane Goodwin says Chris uses two 215 cabs and one 115 cab.
The cabs actually used will more likely be,
- 2x Marshall DBS 7215
- 1x Marshall DBS 7115
There is the possibility of the use of some custom Mills cabs, however, there is no mention of Chris on the Mills website.
Control
- Liquid-Foot Pro MIDI Controller (Chris' bass tech does all switches)
Effects (on stage)
- Liquid-Foot Pro MIDI Controller (Chris doesn't use this controller, except for rehearsals)
- Korg DTR2000 Tuner
- Expression Pedal (only for City of Delusion and Uprising, controls the Electrix Filter Factory)
Black Holes and Revelations
Basses
- Fender Jazz Basses (various models)
- Rickenbacker 4001
- blue Pedulla Rapture RB4 (only used for Micro Cuts live)
Other basses
- Custom Manson 8-String Bass (not used live)
Absolution
Basses
- Pedulla Basses
- Fender American Standard Jazz Bass (only for Sing for Absolution live)
- Warwick Streamer 4
- Zon Sonus Custom 4
Chris' rack (left)
- 4x Marshall DBS 7400 Head
Chris' rack (right)
- Rocktron All Access
- Shure UHF receiver
- Line 6 Filter Pro
- Sound Sculpture GL Switcher/Router
- 1x Line 6 Bass PODxt Pro
- 2x Line 6 Bass POD Pro
- Line 6 Filter Modeler Pro
- Rack drawer (with Marshall logo)
Chris' Pedalboard (on stage)
- Korg DTR1 Tuner
- Rocktron All Access
- Roland PK-5 Dynamic Foot Pedal
Chris' Pedalboard (off stage)
- Akai Deep Impact
- Human Gear Animato Distortion
- Electro-Harmonix Russian Big Muff Pi
- Boss DD-3
- Boss OC-2
- Boss PS-3
- Digitech Bass Synth Wah
- Rocktron All Access
Others
Origin of Symmetry
Basses
- Pedulla Rapture RBJ2-4 (blue; can be seen in the Plug In Baby video. Used in 2001 until part exchanged for Blue Pedulla Rapture RB4-4 at Mansons Guitar Shop, then sold on eBay)
- Pedulla Rapture RB4-4 (blue; can be seen on the Hullabaloo DVD. Rarely used during the Absolution Tour)
- Pedulla Rapture RB4-4 (black; tuned DADG. Can be seen on the Hullabaloo DVD. Used during shows in 2003)
Amps
- Marshall DBS 400watt Head
- Marshall 7410 4x10 Cabinet
- Marshall 7015 1x15 Cabinet
- Marshall B150
Effects
- Human Gear Animato Distortion
- Power Supply Unit
- Korg DTR1 Tuner
- Pete Cornish Line Selector
- Boss LS-2 Line Selector
- Boss OC-2 Octave
- Electro-Harmonix Russian Big Muff Pi
- Boss DD-3 Digital Delay
- Akai Deep Impact Synthesiser
- Line 6 FM4 Filter Modeler
Showbiz
Basses
- Bass Collection SB300
- Bass Collection SB330
- Electric Double Bass
Chris equiped his basses with Elites 40-100 stainless steel strings.[1]
Amps
- Ampeg SVT II head
- Ampeg PR-1832HE cabinet
- 1x18, 2x10 and 2x6 cabs
Effects
- Electro Harmonix Russian Big Muff Pi
- Boss DD-3 Digital Delay
- Boss LS-2 Line Selector
- Boss OS-2 Overdrive/Distortion
- Boss OC-2 Octave
- Pete Cornish Line Selector
- Korg DTR1 Tuner
- Power Supply