Difference between revisions of "Vocals"
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===Microphone=== | ===Microphone=== | ||
[[Image:KMS105.jpg|thumb|right|Neumann KMS 105]] | [[Image:KMS105.jpg|thumb|right|Neumann KMS 105]] | ||
[[Matthew Bellamy|Matt's]] choice of live microphone is a Neumann KMS 105. He prefers to use this microphone as it deals with his challenging mic technique (not singing very close to it). The first apparent signs of [[Matt Bellamy]] using this microphone are | [[Matthew Bellamy|Matt's]] choice of live microphone is a Neumann KMS 105. He prefers to use this microphone as it deals with his challenging mic technique (not singing very close to it). The first apparent signs of [[Matt Bellamy]] using this microphone are in 2001. [[Chris Wolstenholme]] started using this microphone later on probably in the Absolution period. (2003-2004) | ||
''Designed with superlative vocal reproduction in mind, the KMS 105 brings Neumann quality to the demanding sound reinforcement environment. With its supercardioid polar pattern, low self-noise and uncoloured off-axis pickup, the KMS 105 complements in-ear monitor systems. By employing a unique four-layer acoustic filter, the KMS 105 minimises popping and wind noise, and because of special mechanical and electrical filters handling noise is virtually eliminated. Superior resolution and linear frequency response make it very easy for the artist using the KMS 105 to identify whether he or she is "on mic".'' | ''Designed with superlative vocal reproduction in mind, the KMS 105 brings Neumann quality to the demanding sound reinforcement environment. With its supercardioid polar pattern, low self-noise and uncoloured off-axis pickup, the KMS 105 complements in-ear monitor systems. By employing a unique four-layer acoustic filter, the KMS 105 minimises popping and wind noise, and because of special mechanical and electrical filters, handling noise is virtually eliminated. Superior resolution and linear frequency response make it very easy for the artist using the KMS 105 to identify whether he or she is "on mic".'' | ||
The Neumann KMS 105 is used extensively by many large bands and costs around the £400 mark. | The Neumann KMS 105 is used extensively by many large bands and costs around the £400 mark. | ||
As of The 2nd Law tour, Matt began to use a wireless Sennheiser SKM5200 with a Neumann KK 105s capsule, as opposed to the KMS 105. However, he still uses the KMS 105 when playing the piano and Chris also still uses it by his pedalboard. Morgan used a Shure SM57 for his vocal duties. | |||
During the [[Will_of_the_People_World_Tour|Will of the People World Tour]] they also started using an Austrian Audio OD505-WL1 capsule for when Matt is performing in front of the PA. The OD505-WL1 has better rejection and is less prone to feedback than the Neumann KMS105. | |||
===Processing=== | ===Processing=== | ||
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*Through a SansAmp PSA in conjunction with a custom control switch operated by Bellamy to get extreme distortion. | *Through a SansAmp PSA in conjunction with a custom control switch operated by Bellamy to get extreme distortion. | ||
Matt's voice also goes through System 6000 reverbs, a TC delay and | Matt's voice also goes through System 6000 reverbs, a TC delay and a H35000. | ||
==See also== | ==See also== | ||
Latest revision as of 19:02, 12 August 2023
Live Vocals
Microphone
Matt's choice of live microphone is a Neumann KMS 105. He prefers to use this microphone as it deals with his challenging mic technique (not singing very close to it). The first apparent signs of Matt Bellamy using this microphone are in 2001. Chris Wolstenholme started using this microphone later on probably in the Absolution period. (2003-2004)
Designed with superlative vocal reproduction in mind, the KMS 105 brings Neumann quality to the demanding sound reinforcement environment. With its supercardioid polar pattern, low self-noise and uncoloured off-axis pickup, the KMS 105 complements in-ear monitor systems. By employing a unique four-layer acoustic filter, the KMS 105 minimises popping and wind noise, and because of special mechanical and electrical filters, handling noise is virtually eliminated. Superior resolution and linear frequency response make it very easy for the artist using the KMS 105 to identify whether he or she is "on mic".
The Neumann KMS 105 is used extensively by many large bands and costs around the £400 mark.
As of The 2nd Law tour, Matt began to use a wireless Sennheiser SKM5200 with a Neumann KK 105s capsule, as opposed to the KMS 105. However, he still uses the KMS 105 when playing the piano and Chris also still uses it by his pedalboard. Morgan used a Shure SM57 for his vocal duties.
During the Will of the People World Tour they also started using an Austrian Audio OD505-WL1 capsule for when Matt is performing in front of the PA. The OD505-WL1 has better rejection and is less prone to feedback than the Neumann KMS105.
Processing
Matt's voice goes through three stages when singing live.
- Normal, standard clean vocal with no effects
- Through an Avalon VT737 with high gain that produces a "nice valve distorted" sound
- Through a SansAmp PSA in conjunction with a custom control switch operated by Bellamy to get extreme distortion.
Matt's voice also goes through System 6000 reverbs, a TC delay and a H35000.
See also
- Microphones (for other microphones used by Muse)
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