Difference between revisions of "Exogenesis: Symphony (song)"

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{{Songbox |
[[File:Exogenesis Symphony Overture score on mixing desk.jpg | thumb | right | Score on mixing desk during recording]]
{{Songbox
| Name = Exogenesis: Symphony
| Name = Exogenesis: Symphony
*Part I: Overture
*Part 1: Overture
| Album = [[The Resistance (album)|The Resistance]]
*Part 2: Cross Pollination
| Length = ~12:00
*Part 3: Redemption
| AltTitles = Symphony, Orchestral Monster
| Album = {{drop
| First = -
|[[The Resistance (album)|The Resistance]] <small>(9, 10, 11)</small>
| Latest = -
|[[Exogenesis: Symphony (single)|Exogenesis: Symphony]] <small>(1)</small>
| Recorded = Lake Como and Milan, Italy, 2008-2009
}}
| Writer = [[Matthew Bellamy]]
| Length = 12:51
*4:18 <small>(Part 1: Overture)</small>
*3:58 <small>(Part 2: Cross Pollination)</small>
*4:37 <small>(Part 3: Redemption)</small>
| AltTitles = {{drop
|Symphony
|''Orchestral Monster''
|''Symphonic Monster''
}}
| First = [[Helsinki Hartwall Areena 2009 (gig)|22<sup>nd</sup> October 2009]] <small>(Part 1: Overture)</small><br>[[Saitama Super Arena 2013 – 11th (gig)|11<sup>th</sup> January 2013]] <small>(Part 3: Redemption)</small>
| Latest = [[Noblesville Verizon Wireless Music Center 2011 (gig)|3<sup>rd</sup> August 2011]] <small>(Part 1: Overture)</small><br>[[Saitama Super Arena 2013 – 11th (gig)|11<sup>th</sup> January 2013]] <small>(Part 3: Redemption)</small>
| Recorded = [[Studio Bellini]], [[Moltrasio|Lake Como]] and [[Officine Meccaniche Studios]] Milan, Italy, 2008-2009
| Writer = [[Matthew Bellamy]], [[Dominic Howard]], [[Christopher Wolstenholme]]
| Producer = Muse
| Producer = Muse
| Chart position = -
| Chart position = -
}}
}}


{{AlbumNav |
{{AlbumNav
| Previous song = [[I Belong To You (song)|I Belong To You]]
| Previous = [[I Belong to You (song) | I Belong to You]]
| Current song = Symphony Parts I, II, III
| Current = Exogenesis: Symphony 1, 2, 3
| Next song =  
}}
<br>
{{AlbumNav2
| Previous = [[Black Holes and Revelations (album) | Black Holes and Revelations ''(2006)'']]
| Current = [[The Resistance (album) | The Resistance ''(2009)'']]
| Next = [[The 2nd Law (album) | The 2nd Law ''(2012)'']]
}}
}}


'''[https://www.youtube.com/watch?v=wDmOnqrjH7w Listen]''' (Part 1)
'''[https://www.youtube.com/watch?v=VMM1X8aXlCs Listen]''' (Part 2)
'''[https://www.youtube.com/watch?v=wRCzchqOSxk Listen]''' (Part 3)


__TOC__
__TOC__
==Description==
== Description ==
The last song on ''[[The Resistance (album)|The Resistance]]'', it is split into three four-minute tracks at the end of the album,<ref name="qanda23">{{cite
"Exogenesis: Symphony" is the last song on ''[[The Resistance (album)|The Resistance]]'',<ref name="qanda23">
|title= Question 23
{{cite |
|desc=Muse Q&A
title= Question 23 | desc=Muse Q&A | date=2008-11-22 | auth=[[Matthew Bellamy]] via Muse Answers | fetch=2008-11-22 | pub=Official Message Board | url=http://board.muse.mu/showthread.php?t=57855 | dom=board.muse.mu | type=ext
|date=2008-11-22
}}</ref> and is split into three four-minute tracks, each separately named. It features an orchestra of "about 40 musicians" throughout, being described by Matt as "almost purely classical in style"<ref name="mojo200907">{{cite/mojo200907}}</ref> The song tells the story of humanity leaving a destructive Earth behind to populate elsewhere in the Universe.<ref name="nme20090722">{{cite/NME 2009-07-22}}</ref>
|auth=[[Matthew Bellamy]] via Muse Answers
|fetch=2008-11-22
|pub=Official Message Board
|url=http://board.muse.mu/showthread.php?t=57855
|dom=board.muse.mu
|type=ext
}}</ref> and features an orchestra througout.


===Part I: Overture===
Matt later said that "This is influenced by Rachmaninov, Richard Strauss, Chopin and Pink Floyd. It looks at the concept of 'Panspermia.' It is a story of humanity coming to an end and everyone pinning their hopes on a group of astronauts who go out to explore space and spread humanity to another planet."
The first part of the song starts off mellow.<ref name="qanda6">{{cite
 
|title= Question 6
=== Part 1 (Overture) ===
|desc=Muse Q&A
The first part of the song starts off mellow.<ref name="qanda6">
|date=2008-11-28
{{cite |
|auth=[[Dominic Howard]] via Muse Answers
title= Question 6 | desc=Muse Q&A | date=2008-11-28 | auth=[[Dominic Howard]] via Muse Answers | fetch=2008-11-22 | pub=Official Message Board | url=http://board.muse.mu/showthread.php?t=57872 | dom=board.muse.mu | type=ext
|fetch=2008-11-22
|pub=Official Message Board
|url=http://board.muse.mu/showthread.php?t=57872
|dom=board.muse.mu
|type=ext
}}</ref>
}}</ref>
===Part II===
 
According to Matt, "Part 1 is a jaded acceptance that civilisation will end."<ref>iTunes LP - The Resistance</ref> The drum part displays a [[Massive Attack]] influence.<ref>{{cite/moderndrummer201001}}</ref>
 
Live info [[Exogenesis: Symphony Part I (Overture) (live) | here]]
 
=== Part 2 (Cross-Pollination) ===
In the Muse Q&A in November 2008, Dominic Howard stated that the song would change genres throughout, indicating a significantly different middle section.<ref name="qanda6"/>
In the Muse Q&A in November 2008, Dominic Howard stated that the song would change genres throughout, indicating a significantly different middle section.<ref name="qanda6"/>
===Part III===
The third part of the song will be "very heavy indeed".<ref name="qanda6"/>


==Additional information==
Matthew Bellamy stated, "Part 2 is a desperate hope that sending astronauts to find and populate other planets will be successful alongside the recognition that this is the last hope."<ref>iTunes LP - The Resistance</ref>
The song was first mentioned in March 2008 as a "15-minute space-rock solo"<ref name="nme20080312">{{cite
 
|title= Muse: next album to have '15-minute space-rock solo' 
=== Part 3 (Redemption) ===
|desc=NME news article
The track by track review by Gigwise describes that it concludes in a "suitably Muse-like way" and that "the song builds into an emotive and epic chorus where Bellamy and Wolstenholme share vocal duties". <ref name="qanda6"/>
|date=2008-03-12
|pub=NME
|url=http://www.nme.com/news/muse/35085
|dom=nme.com
|type=ext
}}</ref> and mentioned by the band numerous times after that. Prior to that, it had been alluded to by Matt in 2007 as "a few bits and pieces that we kind of set to one side that were ... a little bit too progressive and symphonic for [''[[Black Holes and Revelations]]'']", suggesting that the band may have first attempted to record it in 2005.<ref name="jnd20070802">
{{cite
|title=Interview with Bellamy
|desc=Radio interview
|date=2007-08-02
|pub=Triple J
|doc=Interview with Bellamy (20070802 Jay and the Doctor feature)
|type=int
}}</ref>  


The orchestral elements of the song are arranged by Matthew Bellamy. He stated he wanted to do this himself as he "never wanted to collaborate with a string arranger as they may make it 'theirs'".<ref name="qanda23"/>
Matt said, "...Part 3 is when the astronauts realize that it is just one big cycle, and recognize unless humanity can change it will happen all over again."<ref>iTunes LP - The Resistance</ref>


==References==
American Figure Skater Jeremy Abbott skated to Redemption at the 2011-2012 World Championship in Nice. On an NBC broadcast the title of the piece was introduced as "Exogenesis." After the performances an announcer stated that Abbott was looking for "redemption." It is unknown whether the pun was intentional.
 
It has been played for the first time in January 11 of 2013 in Saitama Super Arena,Japan. More info [[Exogenesis: Symphony Part III (Redemption) (live) | here]].
 
== Information ==
The term exogenesis is the technical name for panspermia, the hypothesis that life is seeded across the universe from other sources, for example, arriving to Earth on comets, hence "cross pollination".
 
The song was first mentioned in March 2008 as a "15-minute space-rock solo"<ref name="nme20080312">
{{cite |
title= Muse: next album to have '15-minute space-rock solo' | desc=NME news article | date=2008-03-12 | pub=NME | url=http://www.nme.com/news/muse/35085 | dom=nme.com | type=ext
}}</ref> and mentioned by the band numerous times after that. Prior to that, it had been alluded to by Matt in 2007 as "a few bits and pieces that we kind of set to one side that were ... a little bit too progressive and symphonic for [''[[Black Holes and Revelations]]'']", suggesting that the band may have first attempted to record it in 2005.<ref name="jnd20070802">{{cite/The Breakfast Show 2007-08-02}}</ref>
 
The orchestral parts within the song are arranged by Matthew Bellamy. He stated he wanted to do this himself as he "never wanted to collaborate with a string arranger as they may make it 'theirs'".<ref name="qanda23"/> The orchestra which performed said parts was comprised of twenty-five musicians, who were layered into fifty parts, so as to keep production costs low.<ref>{{cite/kroq-fm20090914}}</ref>
 
Chris said in an interview the piano parts from the song have been around for quite a while. He mentioned Matt always "plays these beautiful piano pieces that we could never figure out how to work into a Muse song until now."
 
During the recording session with the orchestra, Chris "felt a bit jaded" and was pretty upset for not being able to see the recording due to being sick at the time.
 
Dom plays the Timpani in the beginning of Overture.
 
Matt has wanted but been reluctant to play Part 2 live because of its difficulty.
 
== Lyrics ==
 
=== Part 1 (Overture) ===
{{lyrics
|Aping my soul,
You stole my overture,
Trapped in God's program,
Oh I can't escape
 
Who are we?
Where are we?
When are we?
Why are we?
Who are we?
Where are we?
Why, why, why?
 
I can't forgive you,
And I can't forget
 
Who are we?
Where are we?
When are we?
Why are we?
Who are we?
Where are we?
When are we?
Why are we in here?
}}
 
=== Part 2 (Cross-Pollination) ===
{{lyrics
|Rise above the crowds
And wade through toxic clouds
Breach the outer sphere
The edge of all our fears
Rest with you
We are counting on you
It's up to you
 
Spread our codes to the stars
You must rescue us all
Spread our codes to the stars
You must rescue us all
 
Tell us,
tell us your final wish
Now we know you can never return
Tell us,
tell us your final wish
We will tell it to the world
}}
 
=== Part 3 (Redemption) ===
{{lyrics
|Let's start over again
Why can't we start it over again?
 
Just let us start it over again
 
And we'll be good
This time we'll get it...
Get it right
 
It's our last chance to forgive ourselves
}}
 
== References ==
<references/>
<references/>


== See also ==
* [[Exogenesis: Symphony Pt. 1 Overture (tablature) | Part 1 tablature]]
* [[Exogenesis: Symphony Pt. 3 Redemption (tablature) | Part 3 tablature]]
* [[April Fools 2010 Prank | Did you know there is a Exogenesis: Symphony Pt. 4!!!]]
[[Category:Never played live]]


Back to [[The Resistance (album)|The Resistance]]
{{Backto | The Resistance (album) | The Resistance}}
[[Category:Upcoming releases]]

Latest revision as of 02:24, 19 January 2022

Score on mixing desk during recording
Muse song
Name Exogenesis: Symphony
  • Part 1: Overture
  • Part 2: Cross Pollination
  • Part 3: Redemption
Album/single
Length 12:51
  • 4:18 (Part 1: Overture)
  • 3:58 (Part 2: Cross Pollination)
  • 4:37 (Part 3: Redemption)
Alternative titles
  • Symphony »
  • Orchestral Monster
  • Symphonic Monster
First live performance 22nd October 2009 (Part 1: Overture)
11th January 2013 (Part 3: Redemption)
Latest live performance 3rd August 2011 (Part 1: Overture)
11th January 2013 (Part 3: Redemption)
Recorded Studio Bellini, Lake Como and Officine Meccaniche Studios Milan, Italy, 2008-2009
Writer/composer Matthew Bellamy, Dominic Howard, Christopher Wolstenholme
Producer Muse


Listen (Part 1)

Listen (Part 2)

Listen (Part 3)

Description

"Exogenesis: Symphony" is the last song on The Resistance,[1] and is split into three four-minute tracks, each separately named. It features an orchestra of "about 40 musicians" throughout, being described by Matt as "almost purely classical in style"[2] The song tells the story of humanity leaving a destructive Earth behind to populate elsewhere in the Universe.[3]

Matt later said that "This is influenced by Rachmaninov, Richard Strauss, Chopin and Pink Floyd. It looks at the concept of 'Panspermia.' It is a story of humanity coming to an end and everyone pinning their hopes on a group of astronauts who go out to explore space and spread humanity to another planet."

Part 1 (Overture)

The first part of the song starts off mellow.[4]

According to Matt, "Part 1 is a jaded acceptance that civilisation will end."[5] The drum part displays a Massive Attack influence.[6]

Live info here

Part 2 (Cross-Pollination)

In the Muse Q&A in November 2008, Dominic Howard stated that the song would change genres throughout, indicating a significantly different middle section.[4]

Matthew Bellamy stated, "Part 2 is a desperate hope that sending astronauts to find and populate other planets will be successful alongside the recognition that this is the last hope."[7]

Part 3 (Redemption)

The track by track review by Gigwise describes that it concludes in a "suitably Muse-like way" and that "the song builds into an emotive and epic chorus where Bellamy and Wolstenholme share vocal duties". [4]

Matt said, "...Part 3 is when the astronauts realize that it is just one big cycle, and recognize unless humanity can change it will happen all over again."[8]

American Figure Skater Jeremy Abbott skated to Redemption at the 2011-2012 World Championship in Nice. On an NBC broadcast the title of the piece was introduced as "Exogenesis." After the performances an announcer stated that Abbott was looking for "redemption." It is unknown whether the pun was intentional.

It has been played for the first time in January 11 of 2013 in Saitama Super Arena,Japan. More info here.

Information

The term exogenesis is the technical name for panspermia, the hypothesis that life is seeded across the universe from other sources, for example, arriving to Earth on comets, hence "cross pollination".

The song was first mentioned in March 2008 as a "15-minute space-rock solo"[9] and mentioned by the band numerous times after that. Prior to that, it had been alluded to by Matt in 2007 as "a few bits and pieces that we kind of set to one side that were ... a little bit too progressive and symphonic for [Black Holes and Revelations]", suggesting that the band may have first attempted to record it in 2005.[10]

The orchestral parts within the song are arranged by Matthew Bellamy. He stated he wanted to do this himself as he "never wanted to collaborate with a string arranger as they may make it 'theirs'".[1] The orchestra which performed said parts was comprised of twenty-five musicians, who were layered into fifty parts, so as to keep production costs low.[11]

Chris said in an interview the piano parts from the song have been around for quite a while. He mentioned Matt always "plays these beautiful piano pieces that we could never figure out how to work into a Muse song until now."

During the recording session with the orchestra, Chris "felt a bit jaded" and was pretty upset for not being able to see the recording due to being sick at the time.

Dom plays the Timpani in the beginning of Overture.

Matt has wanted but been reluctant to play Part 2 live because of its difficulty.

Lyrics

Part 1 (Overture)

Aping my soul,

You stole my overture, Trapped in God's program, Oh I can't escape

Who are we? Where are we? When are we? Why are we? Who are we? Where are we? Why, why, why?

I can't forgive you, And I can't forget

Who are we? Where are we? When are we? Why are we? Who are we? Where are we? When are we? Why are we in here?

Part 2 (Cross-Pollination)

Rise above the crowds

And wade through toxic clouds Breach the outer sphere The edge of all our fears Rest with you We are counting on you It's up to you

Spread our codes to the stars You must rescue us all Spread our codes to the stars You must rescue us all

Tell us, tell us your final wish Now we know you can never return Tell us, tell us your final wish We will tell it to the world

Part 3 (Redemption)

Let's start over again

Why can't we start it over again?

Just let us start it over again

And we'll be good This time we'll get it... Get it right

It's our last chance to forgive ourselves

References

  1. a b Matthew Bellamy via Muse Answers. (2008-11-22). Question 23. Official Message Board. Retrieved 2008-11-22 from board.muse.mu.
  2. Ray Wilkinson. (2009-07). Progressive stadium rock three dream up album five. Mojo magazine, 1802. Retrieved 2009-07-05 from www.muselive.com. [verify]
  3. New album preview (2009-07-22). New Musical Express, 23–25. Retrieved 2009-07-29 from www.muselive.com. [verify]
  4. a b c Dominic Howard via Muse Answers. (2008-11-28). Question 6. Official Message Board. Retrieved 2008-11-22 from board.muse.mu.
  5. iTunes LP - The Resistance
  6. Muse's Dominic Howard (2010-01). Modern Drummer. Retrieved 2009-12. [verify]
  7. iTunes LP - The Resistance
  8. iTunes LP - The Resistance
  9. Muse: next album to have '15-minute space-rock solo' (2008-03-12). NME. Retrieved from nme.com.
  10. Lindsay McDougall. (2007-08-02). [Interview with Matthew Bellamy]. The Breakfast Show. Retrieved 2007-08-02 from abc.net.au. [verify]
  11. Breakfast with Muse (2009-09-14). Kevin and Bean. Retrieved from www.muselive.com. [verify]

See also


Go back to The Resistance