Difference between revisions of "Bass"
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(While live, he’s being amplified through two SD1200 heads and four Standard 151HR cabinets) | (While live, he’s being amplified through two SD1200 heads and four Standard 151HR cabinets) | ||
Where as the cabinet information is possibly correct, Chris is actually being amplified through at least two Kemper amps, as seen by stage crew at MEN arena. | |||
<br /> | <br /> | ||
'''Containing''' | '''Containing''' |
Revision as of 02:10, 8 January 2013
Showbiz
Basses
- Bass Collection SB300
- Bass Collection SB330
- Electric Double Bass
Chris equiped his basses with Elites 40-100 stainless steel strings.[1]
Amps
- Ampeg SVT II head
- Ampeg PR-1832HE cabinet
- 1x18, 2x10 and 2x6 cabs
Effects
- Electro Harmonix Russian Big Muff Pi
- Boss DD-3 Digital Delay
- Boss LS-2 Line Selector
- Boss OS-2 Overdrive/Distortion
- Boss OC-2 Octave
- Pete Cornish Line Selector
- Korg DTR1 Tuner
- Power Supply
Origin of Symmetry
Basses
- Pedulla Rapture RBJ2-4 (blue; can be seen in the Plug In Baby video. Used in 2001 until part exchanged for Blue Pedulla Rapture RB4-4 at Mansons Guitar Shop, then sold on eBay)
- Pedulla Rapture RB4-4 (blue; can be seen on the Hullabaloo DVD. Rarely used during the Absolution Tour)
- Pedulla Rapture RB4-4 (black; tuned DADG. Can be seen on the Hullabaloo DVD. Used during shows in 2003)
Amps
- Marshall DBS 400watt Head
- Marshall 7410 4x10 Cabinet
- Marshall 7015 1x15 Cabinet
- Marshall B150
Effects
- Human Gear Animato Distortion
- Power Supply Unit
- Korg DTR1 Tuner
- Pete Cornish Line Selector
- Boss LS-2 Line Selector
- Boss OC-2 Octave
- Electro-Harmonix Russian Big Muff Pi
- Boss DD-3 Digital Delay
- Akai Deep Impact Synthesiser
- Line 6 FM4 Filter Modeler
Absolution
Basses
- Pedulla Basses
- Fender American Standard Jazz Bass (only for Sing for Absolution live)
- Warwick Streamer 4
- Zon Sonus Custom 4
Chris' rack (left)
- 4xMarshall DBS 400watt Head
Chris' rack (right)
- Rocktron All Access
- Shure UHF receiver
- Line 6 Filter Modeler Pro
- Sound sculpture gl switcher/router
- 1x Line 6 Bass PODxt Pro
- 2x Line 6 Bass POD Pro
- Line 6 Filter Modeler Pro
- Rack drawer (with Marshall logo)
Chris' Pedalboard (on stage)
- Korg DTR1 Tuner
- Rocktron All Access
- Roland PK-5 Dynamic Foot Pedal
Chris' Pedalboard (off stage)
- Akai Deep Impact
- Human Gear Animato Distortion
- Electro-Harmonix Russian Big Muff Pi
- Boss DD-3
- Boss OC-2
- Boss PS-3
- Digitech Bass Synth Wah
- Rocktron All Access
Others
Black Holes and Revelations
Basses
- Fender Jazz Basses (various models)
- Rickenbacker 4001
- Pedulla Rapture RB4 (blue, used only for Micro Cuts live)
Other basses
These have not been used live
The Resistance
Basses
- Noah Guitars Excalibur Bass
- Fender Jazz Basses (various models)
- Rickenbacker 4001
- Status Original Series II
- Status S2-Classic
- Status Super-Vintage GP
- Status The KingBass Mk-II
- Gibson Grabber
- Gibson Ripper
The Gibson Ripper hasn't been seen live, but Chris' bass tech, Shane Goodwin, has mentioned it in a short interview for Dunlop TV. However, it is possible he mistook this bass for the Gibson Grabber, as it is seen in the interview. As from the Status Graphite basses, he first used the Status Original Series II headless in the studio recording "The Resistance". During the Resistance tour he received all his following status basses.
Amps
- 4x Marshall DBS 7400
- Line 6 Bass Pod XT Pro (ampsimulation)
- 2x Tech 21 Sansamp PSA1 (ampsimulation)
- Ampeg SVT-VR [2][3]
- Ampeg SVT-410HE
- Ampeg SVT-15E
Effects (off stage)
Efx Tray 1
- Human Gear Animato Distortion
- Electro-Harmonix Big Muff Pi (Russian)
- Electro-Harmonix Octave Multiplexer (Vintage)
- Crowther Audio Prunes and Custard
- Z-Vex Woolly Mammoth
Efx Tray 2
- Human Gear Animato Distortion
- Electro-Harmonix Big Muff Pi (Russian)
- Digitech Bass Synth Wah
- Line 6 FM4
- Electro-Harmonix Big Muff Pi (Russian)
Efx Tray 3
- Boss OC-2 Octave
- Electro-Harmonix Q-Tron (Micro)
- Akai Deep Impact SB-1 Bass Synth
- HomeBrew Electronics (HBE) Hematoma
- There is then a gap with 2 un-connected patch cables, possibly for the Boss DD-3
Control
- Liquid Foot Pro
Rack (Left)
- ETA Systems EPD11 LVIEC-CE
- T.C Electronics G-Major/2
- Line 6 Bass Pod XT Pro
- Tech21 Sansamp PSA 1.1
- Tech21 Sansamp PSA 1.1
- Custom connector panel
- Marshall DBS 7400
- Marshall DBS 7400
- Marshall DBS 7400
- Marshall DBS 7400
- Electrix Filter Factory (On top of rack case)
Rack (Right)
- ETA Systems EPD11 LVIEC-CE
- Skrydstrup Bass Routing System
- Shure UA845 Antenna /Power Distribution
- Shure UR4D
- Shure UR4D
- Skrydstrup MR10
- Skrydstrup MR10
- Sound Sculpture (SS) Switchblade GL
- Paul Lenders Muse AC-Tool
- Paul Lenders Muse DC-Tool
Cabinets
Previously stated as,
- 1x Mills Acoustics 115B
- 2x Mills Acoustics 410B
Both of these cabs are debatable, as in the DunlopTV interview Shane Goodwin says Chris uses two 215 cabs and one 115 cab.
The cabs actually used will more likely be,
- 2x Marshall DBS 7215
- 1x Marshall DBS 7115
There is the possibility of the use of some custom Mills cabs, however, there is no mention of Chris on the Mills website.
Effects (on stage)
- Liquid Foot control unit
- Korg DTR2000 Tuner
- Expression Pedal (for City of Delusion and Uprising only,controls a low pass filter)
Rocktron All Access was used during the BH&R era.
The 2nd Law
Basses
- Fender Jazz Basses (various models)
- Gibson Grabber
- Rickenbacker 4001
- Status Chris Wolstenholme Signature Bass
- Status Chris Wolstenholme Signature Bass 5-string
- Status Original Series II
- Status S2-Classic
- Status Super-Vintage GP
- Status The KingBass Mk-II
- Status Kitara Doubleneck Bass
Effects (Off Stage)
Left rack
Top of the rack
- Way Huge Aqua-Puss
- Way Huge Green Rhino
- Way Huge Fat Sandwich
- Way Huge Swollen Pickle
- Way Huge Angry Troll
- Crowther Audio Prunes and Custard
Containing
- ETA Systems EPD11 LVIEC-CE
- Skrydstrup Bass Routing System
- Shure UA845 Antenna /Power Distribution
- Shure UR4D
- Shure UR4D
- Skrydstrup MR10
- Skrydstrup MR10
- Skrydstrup MR10
- 1st Tray
- 2nd Tray
- 3rd Tray
- Electrix Filter Queen + Electrix EQ Killer
- Paul Lenders Muse AC-Tool
- Paul Lenders Muse DC-Tool
FX Tray 1
- Way Huge Pork Loin
- ZVex Woolly Mammoth
- Human Gear Animato Distortion (Perhaps)
- Electro-harmonix Big Muff Russian (Perhaps)
- Electro-harmonix Big Muff Russian (Perhaps)
FX Tray 2
- Line 6 FM4
- Electro-harmonix Octave Multiplexer Vintage
- Human Gear Animato Distortion (Perhaps)
- Electro-harmonix Big Muff Russian (Perhaps)
- Digitech Bass Synth Wah (Perhaps)
FX Tray 3
- Homebrew Electronic Hematoma (repainted)
- ZVex Mastotron
- Electro-harmonix Octave Multiplexer (Perhaps)
- Electro-harmonix Micro Qtron (Perhaps)
- Akai Deep Impact Synth Bass SB-1 (Perhaps)
Right rack
Top of the rack
- Markbass MoMark SD800 into a Standard 104HF cabinet
- Markbass SD1200 into a Classic 152 cabinet
- Ampeg SVT-VR
(While live, he’s being amplified through two SD1200 heads and four Standard 151HR cabinets)
Where as the cabinet information is possibly correct, Chris is actually being amplified through at least two Kemper amps, as seen by stage crew at MEN arena.
Containing
- ETA Systems EPD11 LVIEC-CE
- T.C Electronics G-Major/2
- Line 6 Bass Pod XT Pro
- Tech21 Sansamp PSA 1.1
- Tech21 Sansamp PSA 1.1
- Custom connector panel
- Marshall DBS 7400
- Marshall DBS 7400
- Marshall DBS 7400
- Marshall DBS 7400
Other
- Aviom A-16II
- Expression Pedal
- A Designs REDDI Tube D.I.