Difference between revisions of "Execution Commentary (song)"
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==Additional information== | ==Additional information== | ||
First recorded in 1996 as an outro to [[Yes Please (song)|Crazy Days]] on the [[Newton Abbot demo (compilation)|Newton Abbot demo]]. Often used live as an instrumental outro after either Showbiz or Stockholm Syndrome, or as part of a number of similar outros. Also played as a riff in the first live performance of [[Micro Cuts (song)]]. | First recorded in 1996 as an outro to [[Yes Please (song)|Crazy Days]] on the [[Newton Abbot demo (compilation)|Newton Abbot demo]]. Often used live as an instrumental outro after either Showbiz or Stockholm Syndrome, or as part of a number of similar outros. Also played as a riff in the first live performance of [[Micro Cuts (song)]]. | ||
In 2012, Bellamy called it the worst song he had ever written.<ref>https://twitter.com/muse/status/251025749841149952</ref> | |||
==Trivia== | ==Trivia== | ||
Revision as of 22:24, 26 September 2012
| Muse song | |
|---|---|
| Name | Execution Commentary |
| Album/single | Plug in Baby CD1 (3), DE (3), JP (3), Newton Abbot demo (outro to Crazy Days) (7) |
| Length | 2:30 |
| Alternative titles | - |
| First live performance | 12th July 1999 (Riff) |
| Latest live performance | Unknown (full), 29th October 2010 (riff) |
| Recorded | 1996 (Newton Abbot demo), 2001 |
| Writer/composer | Matthew Bellamy |
| Producer | A nasty piece of work[1] |
Description
Chaotic arrangement of noise, vocals included, but most is indistinguishable screaming with a few phrases such as "come on" and "yeah alright" audible.
Additional information
First recorded in 1996 as an outro to Crazy Days on the Newton Abbot demo. Often used live as an instrumental outro after either Showbiz or Stockholm Syndrome, or as part of a number of similar outros. Also played as a riff in the first live performance of Micro Cuts (song).
In 2012, Bellamy called it the worst song he had ever written.[2]
Trivia
Just before the music kicks in there is a hiccup.
The bass-line resembles that of Rage Against The Machine's song "Tire Me".
When using vocal removal software, a very faint laugh can be heard at the end.
At the 1:33 mark of the song after Matt's distorted falsetto, for a few seconds he makes a Bruce Lee type noise.
Lyrics
(Indecipherable screaming)
References
- ↑ Plug In Baby CD1 sleeve notes
- ↑ https://twitter.com/muse/status/251025749841149952