Difference between revisions of "Execution Commentary (song)"
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==Additional information== | ==Additional information== | ||
First recorded in 1996 as an outro to [[Yes Please (song)|Crazy Days]] on the [[Newton Abbot demo (compilation)|Newton Abbot demo]]. Often used live as an instrumental outro after either Showbiz or Stockholm Syndrome, or as part of a number of similar outros. Also played as a riff in the first live performance of [[Micro Cuts (song)]]. | First recorded in 1996 as an outro to [[Yes Please (song)|Crazy Days]] on the [[Newton Abbot demo (compilation)|Newton Abbot demo]]. Often used live as an instrumental outro after either Showbiz or Stockholm Syndrome, or as part of a number of similar outros. Also played as a riff in the first live performance of [[Micro Cuts (song)]]. At the 1:33 mark of the song after Matt's distorted falsetto, for a few seconds he makes a Bruce Lee type noise. | ||
==Trivia== | ==Trivia== | ||
Revision as of 08:59, 13 February 2010
| Muse song | |
|---|---|
| Name | Execution Commentary |
| Album/single | Plug in Baby CD1 (3), DE (3), JP (3), Newton Abbot demo (outro to Crazy Days) (7) |
| Length | 2:30 |
| Alternative titles | - |
| First live performance | 1999-07-12 (instrumental) |
| Latest live performance | Unknown |
| Recorded | 1996 (Newton Abbot demo), 2001 |
| Writer/composer | Matthew Bellamy |
| Producer | A nasty piece of work[1] |
Description
Chaotic arrangement of noise, vocals included, but most is indistinguishable screaming with a few phrases such as "come on" and "yeah alright" audible.
Additional information
First recorded in 1996 as an outro to Crazy Days on the Newton Abbot demo. Often used live as an instrumental outro after either Showbiz or Stockholm Syndrome, or as part of a number of similar outros. Also played as a riff in the first live performance of Micro Cuts (song). At the 1:33 mark of the song after Matt's distorted falsetto, for a few seconds he makes a Bruce Lee type noise.
Trivia
Just before the music kicks in there is a hiccup.
The bass-line resembles that of Rage Against The Machine's song "Tire Me".
When using vocal removal software, a very faint laugh can be heard at the end.
Lyrics
(Indecipherable screaming)
You're goin' to die! (Indecipherable screaming)
References
- ↑ Plug In Baby CD1 sleeve notes