Difference between revisions of "Interlude (song)"
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(Add space; fix case of Falling Away with You;) |
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{{Songbox | {{Songbox | ||
| Name = Interlude | | Name = Interlude | ||
| Album = [[Absolution (album)|Absolution]] <small>(7)</small> | | Album = [[Absolution (album) |Absolution]] <small>(7)</small> | ||
| Length = 0:37 | | Length = 0:37 | ||
| AltTitles = - | | AltTitles = - | ||
| First = [[Teignmouth Den 2009 - 4th (gig)|4th September 2009]] | | First = [[Teignmouth Den 2009 - 4th (gig) |4th September 2009]] | ||
| Latest = - | | Latest = - | ||
| Recorded = 2002–2003 | | Recorded = 2002–2003 | ||
Line 12: | Line 12: | ||
}} | }} | ||
{{AlbumNav | {{AlbumNav | ||
| Previous song = [[Falling Away | | Previous song = [[Falling Away with You (song) |Falling Away with You]] | ||
| Current song = Interlude | | Current song = Interlude | ||
| Next song = [[Hysteria (song)|Hysteria]] | | Next song = [[Hysteria (song) |Hysteria]] | ||
}} | }} | ||
It bears similarity to King Crimson's "In the court of the Crimson King. | == Description == | ||
Distorted instrumental interlude between [[Falling Away with You (song) | Falling Away with You]] and [[Hysteria (song) | Hysteria]]. The interlude samples the chord progression of the popular piece 'Adagio for Strings', by American composer Samuel Barber, on guitar with an extremely heavy fuzz effect. | |||
It bears similarity to King Crimson's "In the court of the Crimson King". | |||
{{Backto | Absolution (album) | Absolution}} | {{Backto | Absolution (album) | Absolution}} |
Revision as of 16:17, 29 November 2009
Muse song | |
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Name | Interlude |
Album/single | Absolution (7) |
Length | 0:37 |
Alternative titles | - |
First live performance | 4th September 2009 |
Latest live performance | - |
Recorded | 2002–2003 |
Writer/composer | Matthew Bellamy |
Producer | Rich Costey |
Song Nav | ||||
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Description
Distorted instrumental interlude between Falling Away with You and Hysteria. The interlude samples the chord progression of the popular piece 'Adagio for Strings', by American composer Samuel Barber, on guitar with an extremely heavy fuzz effect.
It bears similarity to King Crimson's "In the court of the Crimson King".