Difference between revisions of "Rip It Up 2004-10 – Absolute Muse"
m (moved Absolute Muse (200410 Rip It Up article) to Rip It Up 2004-10 – Absolute Muse: Convention) |
(add cite/this template; add links; add space; add thumb of scan; use white-space: pre-wrap in place of explicit breaks; add to Category:Absolution-era media) |
||
| Line 1: | Line 1: | ||
{{cite/this |ripitup200410}} | |||
''A review in the October/November issue of Rip It Up, of [[Auckland St. James Theatre 2004 (gig) | the 2004-09-14 Auckland gig]]. This transcription is incomplete due to partial scans.'' | |||
'''MUSE''' | [[File:Rip It Up 2004-10.jpg | thumb | right | Scan]] | ||
'''ST JAMES, AUCKLAND''' | === ABSOLUTE MUSE === | ||
'''September 14, 2004''' | |||
'''Reviewed by Steve Hogg''' | <span style="white-space: pre-wrap">'''MUSE''' | ||
'''ST JAMES, AUCKLAND''' | |||
'''September 14, 2004''' | |||
'''Reviewed by Steve Hogg''' | |||
'''Photos by Rocktography''' | '''Photos by Rocktography''' | ||
It's always quite staggering how much noise three people can make. Listening closely though, revealed sound not being produced by the three figures on stage. While there is never a problem with bands using backing tapes, this was proof of the intricate production and multi-layering that goes into creating Muse. Timing becomes impeccable at this point, resulting in a tight performance that comes very close to emulating the recorded out put of a band. But hey, this is not a bad thing and in the case of Muse there was no one in the house complaining as they ran through note perfect renditions of their material. Tight is good but it often doesn't leave much room for spontaneity, creating a sterile and cold feel. Not so with Muse. This was a well-rehearsed performance and it's great to see a band that is incredibly serious. Muse want you to believe in their emotional upheaval and pretty much everyone in the room was convinced. There was a passionate acceptance going on from guys who will deny it the next day while their girlfriends wonder why they never receive this kind of attention. | It's always quite staggering how much noise three people can make. Listening closely though, revealed sound not being produced by the three figures on stage. While there is never a problem with bands using backing tapes, this was proof of the intricate production and multi-layering that goes into creating Muse. Timing becomes impeccable at this point, resulting in a tight performance that comes very close to emulating the recorded out put of a band. But hey, this is not a bad thing and in the case of Muse there was no one in the house complaining as they ran through note perfect renditions of their material. Tight is good but it often doesn't leave much room for spontaneity, creating a sterile and cold feel. Not so with Muse. This was a well-rehearsed performance and it's great to see a band that is incredibly serious. Muse want you to believe in their emotional upheaval and pretty much everyone in the room was convinced. There was a passionate acceptance going on from guys who will deny it the next day while their girlfriends wonder why they never receive this kind of attention. | ||
Music is funny like that and Muse are good at milking it. Confetti and oversized balloons at the end– nice touch– bought a few tears. Ups to the bass player for playing with a broken wrist. | Music is funny like that and Muse are good at milking it. Confetti and oversized balloons at the end– nice touch– bought a few tears. Ups to [[Christopher Wolstenholme | the bass player]] for playing with a broken wrist.</span> | ||
{{Backto | Rip It Up}} | |||
[[Category:Absolution-era media]] | |||
[[Category:Concert reviews]] | [[Category:Concert reviews]] | ||
[[Category:Rip It Up]] | [[Category:Rip It Up]] | ||
Latest revision as of 14:42, 11 October 2009
To cite this source, include <ref>{{cite/ripitup200410}}</ref>
A review in the October/November issue of Rip It Up, of the 2004-09-14 Auckland gig. This transcription is incomplete due to partial scans.
ABSOLUTE MUSE
MUSE ST JAMES, AUCKLAND September 14, 2004 Reviewed by Steve Hogg Photos by Rocktography
It's always quite staggering how much noise three people can make. Listening closely though, revealed sound not being produced by the three figures on stage. While there is never a problem with bands using backing tapes, this was proof of the intricate production and multi-layering that goes into creating Muse. Timing becomes impeccable at this point, resulting in a tight performance that comes very close to emulating the recorded out put of a band. But hey, this is not a bad thing and in the case of Muse there was no one in the house complaining as they ran through note perfect renditions of their material. Tight is good but it often doesn't leave much room for spontaneity, creating a sterile and cold feel. Not so with Muse. This was a well-rehearsed performance and it's great to see a band that is incredibly serious. Muse want you to believe in their emotional upheaval and pretty much everyone in the room was convinced. There was a passionate acceptance going on from guys who will deny it the next day while their girlfriends wonder why they never receive this kind of attention. Music is funny like that and Muse are good at milking it. Confetti and oversized balloons at the end– nice touch– bought a few tears. Ups to the bass player for playing with a broken wrist.