Difference between revisions of "Screenager (song)"
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==Additional information== | ==Additional information== | ||
It is about technology and how it separates people even further rather than bringing them closer together. Also, it is the track with the infamous bubble wrap, shopping bag and skeleton bone percussion sounds, inspired by [[Tom Waits]]. | It is about technology and how it separates people even further rather than bringing them closer together. Also, it is the track with the infamous bubble wrap, shopping bag and skeleton bone percussion sounds, inspired by [[Tom Waits]]. Also about self harm. | ||
It was played regularly for the last time in [[Saint Petersburg Leningrad Youth Palace 2002 (gig)|St. Petersburg on 28th May 2002]] before the 10th anniversary plays of Origin of Symmetry at [[Leeds Bramham Park 2011 (gig)|Leeds]] and [[Reading Little John's Farm 2011 (gig)|Reading]] in 2011. | |||
==Trivia== | ==Trivia== |
Revision as of 07:52, 7 June 2015
Muse song | |
---|---|
Name | Screenager |
Album/single |
|
Length | 4:19 |
Alternative titles | |
First live performance | 6th January 2000 |
Latest live performance | 28th August 2011 |
Recorded | Real World Studio Wiltshire, 2001 |
Writer/composer | Matthew Bellamy |
Producer | John Leckie |
<flashmp3>http://www.musewiki.org/images/Screenager.mp3%7Crightbg=0xDDEEFF%7Cleftbg=0xDDEEFF%7Cbg=0xFFFFFF</flashmp3>
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Description
Played a lot in 2000 and in 2001 (sometimes on the piano), a rare quiet moment from Origin of Symmetry.
Features Spanish-esque guitar and soft vocals by Matt.
Matthew Bellamy definition of Screenager
"Screenager is a modern teenager being brought up by the screen who develops a distorted image of their body because of pictures in magazines and because technology is rejecting the physical bodies we live in. It's also a bit about people who cut themselves because I used to have friends who did it and I didn't know why. I tried to grasp that it's needing something quite brutal to remind you what your body's about"[4]
Composition
Screenager is a fairly soft song, which moves at a slow tempo of 81 bpm. The song is written mostly in G minor, and shifts to G major for the chorus. The same minor-to-major shift can be seen in Bliss.
Bellamy's vocal range spans from G3 to D5.
Additional information
It is about technology and how it separates people even further rather than bringing them closer together. Also, it is the track with the infamous bubble wrap, shopping bag and skeleton bone percussion sounds, inspired by Tom Waits. Also about self harm.
It was played regularly for the last time in St. Petersburg on 28th May 2002 before the 10th anniversary plays of Origin of Symmetry at Leeds and Reading in 2011.
Trivia
Bellamy's voice cuts out for a split second at 3:33.
During the 2001 tour, as seen on the Hullabaloo DVD, the song was preceded by Rachmaninov's prelude in C♯ minor, which was transposed down to C minor to match Screenager.
Lyrics
Who's so phony and always surrounded?
Stop your screaming - no one can hear All the scars on your skin: 'Post no bills'
Who you were Was so beautiful Remember who Who you were
Hide from the mirror - the cracks and the memories Hide from your family - they won't know you now For all the holes in our souls host no thrills
Who you were Was so beautiful Memories who - Who you were
Extra verse
In early live performances, Bellamy sang an extra verse, and sang the first two verses together before the chorus:
Who's so phony and always surrounded?
Stop your screaming - no one can hear All the scars on your skin: 'post no bills'
Hide from the mirror - the cracks and the memories Hide from your family - they won't know you now For all the holes in our souls host no thrills
Who you were Was so beautiful Remember who Who you were
I always hoped that things could be beautiful And I thought underneath you'd be called other names All the holes in our souls host no thrills
Who you were Was so beautiful Remember who Who you were