Difference between revisions of "Matthew Bellamy's vocals"

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In the band's earlier years, they were staunch opponents to the use of playback. At a [[Ipswich Big Sunday 2000 (gig)|Chantry Park]] performance of [[Muscle Museum (song)|Muscle Museum]] in 2000, the band were forced to use playback, but Bellamy convinced the organisers to let him sing live. This became the infamous "Hey you crazy kids!" performance, filled with wailing, screaming and other nonsensical vocals. When the playback tape began to cut out half-way through Muscle Museum, Bellamy opted to end the performance.
In the band's earlier years, they were staunch opponents to the use of playback. At a [[Ipswich Big Sunday 2000 (gig)|Chantry Park]] performance of [[Muscle Museum (song)|Muscle Museum]] in 2000, the band were forced to use playback, but Bellamy convinced the organisers to let him sing live. This became the infamous "Hey you crazy kids!" performance, filled with wailing, screaming and other nonsensical vocals. When the playback tape began to cut out half-way through Muscle Museum, Bellamy opted to end the performance.


At some point during the [[Drones World Tour]], the band began to play some harmony lines from tape. Usually this occurs where the harmony is too high for Chris or Morgan to hit, such as during [[Knights of Cydonia (song)|Knights of Cydonia]] or [[Stockholm Syndrome (song)|Stockholm Syndrome]]. During the heavy mid-section of [[The Globalist (song)|The Globalist]], Matt's multi-layered studio vocal is played from tape, apparently triggered by Dom humming into a microphone.
At some point during the [[Drones World Tour]], the band began to play some harmony lines from tape. Usually this occurs where Matt is already singing lead, and the harmony is too high for Chris or Morgan to hit, such as during [[Knights of Cydonia (song)|Knights of Cydonia]] or [[Stockholm Syndrome (song)|Stockholm Syndrome]]. During the heavy mid-section of [[The Globalist (song)|The Globalist]], Matt does not sing at all, but his multi-layered studio vocal is played from tape, apparently triggered by Dom humming into a microphone.


== Weaknesses ==
== Difficulties ==
 
While Matt is usually not shy about hitting his high falsetto notes live, he has often avoided hitting high full-voiced notes in a live setting.
 
Starting with the [[Absolution Tour]], he would often use falsetto to sing belted high notes, such as in [[Sing for Absolution (song)|Sing for Absolution]], [[Ruled by Secrecy (song)|Ruled by Secrecy]], and [[City of Delusion (song)|City of Delusion]]. In some cases, such as [[The Small Print (song)|The Small Print]], [[Hyper Music (song)|Hyper Music]], or [[Follow Me (song)|Follow Me]], he might instead hand off the highest notes to Chris.
 
Matt also likes to lower the key of live songs, but usually only by a half step, for [[Sing for Absolution (song)|Sing for Absolution]], [[Starlight (song)|Starlight]], [[MK Ultra (song)|MK Ultra]], and [[Madness (song)|Madness]], to name a few. Occasionally he will play [[Fury (song)|Fury]] down a whole step.
 
=== 2014 laryngitis and aftermath ===
 
In 2014, Matt contracted a bout of laryngitis, resulting in a show being cancelled at the [[São Paulo Grand Metropoloe 2014 (gig)|São Paulo Grand Metropoloe]]. The following gigs at [[São Paulo Autodromo Interlagos 2014 (gig)|Lollapalooza]] and [[Indio Coachella Valley Music and Arts Festival 2014 - 12th (gig)|Coachella]] were marked by a lack of vocal range, with Matt asking the crowd to help him sing.
 
While his voice eventually recovered, some fans have noted that his trademark falsetto has since become raspier, for example during live performances of [[The Handler (song)|The Handler]] and [[Time Is Running Out (song)|Time Is Running Out]].

Latest revision as of 15:58, 17 January 2019

Work-in-progress article expanding on Matt's voice and related aspects.

Voice profile

Full voice

Falsetto

Speech impediment

Studio vs. live

In the studio recordings of Muse songs, the majority of vocals are generally recorded by Bellamy. He frequently overdubs his voice with multiple layers, drawing comparisons to Queen on later albums.

When performed live, these layered vocals have historically been divided up amongst the band members according to their vocal range. As Dom does not sing, generally Chris will sing one harmony line while Matt sings lead. Since Morgan Nicholls became a permanent live member during the Black Holes And Revelations Tour, he has also sung additional harmony, though his voice is usually less audible than Chris or Matt.

Use of playback

In the band's earlier years, they were staunch opponents to the use of playback. At a Chantry Park performance of Muscle Museum in 2000, the band were forced to use playback, but Bellamy convinced the organisers to let him sing live. This became the infamous "Hey you crazy kids!" performance, filled with wailing, screaming and other nonsensical vocals. When the playback tape began to cut out half-way through Muscle Museum, Bellamy opted to end the performance.

At some point during the Drones World Tour, the band began to play some harmony lines from tape. Usually this occurs where Matt is already singing lead, and the harmony is too high for Chris or Morgan to hit, such as during Knights of Cydonia or Stockholm Syndrome. During the heavy mid-section of The Globalist, Matt does not sing at all, but his multi-layered studio vocal is played from tape, apparently triggered by Dom humming into a microphone.

Difficulties

While Matt is usually not shy about hitting his high falsetto notes live, he has often avoided hitting high full-voiced notes in a live setting.

Starting with the Absolution Tour, he would often use falsetto to sing belted high notes, such as in Sing for Absolution, Ruled by Secrecy, and City of Delusion. In some cases, such as The Small Print, Hyper Music, or Follow Me, he might instead hand off the highest notes to Chris.

Matt also likes to lower the key of live songs, but usually only by a half step, for Sing for Absolution, Starlight, MK Ultra, and Madness, to name a few. Occasionally he will play Fury down a whole step.

2014 laryngitis and aftermath

In 2014, Matt contracted a bout of laryngitis, resulting in a show being cancelled at the São Paulo Grand Metropoloe. The following gigs at Lollapalooza and Coachella were marked by a lack of vocal range, with Matt asking the crowd to help him sing.

While his voice eventually recovered, some fans have noted that his trademark falsetto has since become raspier, for example during live performances of The Handler and Time Is Running Out.