Difference between pages "Bass" and "Unintended (song)"

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=== Straps ===
{{Songbox |
| Name = Unintended
| Album = {{drop
|[[Showbiz (album)|Showbiz]] <small>(7)</small>,
|[[Showbiz_(album)#Promo_EP|Showbiz Promo EP]] <small>(3)</small>
|[[Showbiz_(album)#JP_Promotion_Sample|Showbiz JP Promo]] <small>(8)</small>
|[[Showbiz_(album)#UK_sampler_CD-R|Showbiz UK Sampler CD]] <small>(3)</small>
|[[Showbiz_(album)#US_4_track_promo_CD-R|Showbiz US Sampler CD]] <small>(4)</small>
|[[Unintended (single)|Unintended]] <small>(1)</small>
|[[Muscle Museum (EP)|Muscle Museum EP]] <small>(4)</small>
|[[Hullabaloo (live)|Hullabaloo]] <small>(18), JP DVD (19)</small>
|[[H.A.A.R.P. (live)|H.A.A.R.P.]] <small>CD (11), DVD (16)</small>
|[[Origin_of_Muse_(box_set)#CD_3_.28Showbiz_Remastered.29 |Origin of Muse]] <small>CD2 (8), CD3 (Remaster) (7), Vinyl 2 (Remaster) (1)</small>
}}
| Length = 3:56
| AltTitles = -
| First = ''Unknown''
| Latest = [[Oslo Telenor Arena 2013 (gig)|24{{supo|th}} July 2013]]
| Recorded = 1998
| Writer = [[Matthew Bellamy]]
| Producer = [[Paul Reeve]], Jirob <small>(MG remix)</small>
| Chart position = 20
}}


----
{{AlbumNav
| Previous = [[Showbiz (song) | Showbiz]]
| Current = Unintended
| Next = [[Uno (song) | Uno]]
}}
<br>
{{AlbumNav2
| Previous =
| Current = [[Showbiz (album) | Showbiz ''(1999)'']]
| Next = [[Origin of Symmetry (album) | Origin of Symmetry ''(2001)'']]
}}


Chris mainly uses leather straps from Status Graphite these days, but has been seen using ones from Manson Guitar Works in the past - the same as Bellamy uses.
'''[https://www.youtube.com/watch?v=Sp4Lj0hG5DI Listen]'''


== [[Simulation Theory (album)|Simulation Theory]] ==
==Description==
Acoustic fingerpicking. Unintended was written sometime around 1998, although possibly being written in 1997. It was written on a keyboard, and it was not played live much in 1998 because of the fact that the band needed a keyboard player in order to do the song. By December 1998, however, it was re-written on guitar, appearing in the only complete 1998 setlist. By 1999 the song was still performed rarely, only making about thirty estimated appearances throughout the course of the year.


In the studio, Chris has been seen using a [[Fender_Jazz_Bass#Fender_Jazz_Bass_1973_.28butterscotch_finish.2Frosewood_fretboard_with_pearloid_block_inlay.29|'73 Jazz Bass]], a [[Fender_Jazz_Bass#Fender_Jazz_Bass_1977_.28sunburst_finish.2Fmaple_fretboard_with_pearloid_block_inlay.29|'77 Jazz Bass]] and [[Status Chris Wolstenholme Signature Bass|Status basses]]. An Ampeg SVT-VR and Ashdown BTA 400 heads were also part of his studio setup. During a 2018 interview on Virgin Radio Italy, Matt mentioned Chris also used a [[Misa Kitara]] for [[Break It to Me (song)|Break It To Me]] in the studio.
==Information==
Played heavily during the 2000 tour as a lighter anthem and occasionally during 2001. It returned to the set list with recent 2007 gigs (played in the key of D insted of E). When it was played from 1999 through 2001, both [[Matthew Bellamy|Bellamy]] and [[Christopher Wolstenholme|Wolstenholme]] would play guitar. Matt's was electric and Chris' would either be acoustic or electric. Chris would also play the bass with a foot pedal controller. From 2007 onwards, Matthew has been playing guitar, Chris has been playing bass and [[Morgan_Nicholls|Nicholls]] plays keyboards occasionally. When the song returned for The 2nd Law stadium tour, Matt only sang and Chris played electric guitar.


When speaking to John Kennedy on Radio X, he mentioned that, as opposed to previous albums being recorded with a live rig (giving them a set tone when done tracking), they've mostly recorded Simulation Theory with clean bass going straight into the console, which gave them flexibility to manipulate the sound later in the DAW.  
Acording to Matt, the words came in first place, instead of the music in first. It's one of the [[Falling Down (song)|Two Songs]] in where the words came first, instead of the music in first place.<ref>CDNOW Interview, 29th Sept 1999.</ref>


=== Studio ===
Bellamy's explanation: "There are a few unintended love songs as well. The song I wrote about the girl was written in the studio after a phone conversation with her. We called it 'Unintended' because it came out of nowhere, and I didn't mean it to happen, all of these feelings for this girl".


[[Image:2017-12-102 Muse.jpg|thumb|280px|right|Chris recording Simulation Theory; Seen using an Ashdown BTA 400 with his '73 Fender Jazz Bass]]
On the Muscle Museum EP version, [[Paul Reeve]] provided backing vocals.<ref>Muscle Museum EP insert</ref>


==== Basses ====
===Remixes===
A remix exists, entitled "MG remix", by "Jirob". "Jirob"'s first name appears to be Matt, judging his url, and Jirob stands for "J in Red on Blue". The track begins with an oldie worldy effect, followed by a sped up dance section.


*[[Status Chris Wolstenholme Signature Bass]]
===Acoustic, Lullaby and Obeebo A.I. Versions===
*[[Fender_Jazz_Bass#Fender_Jazz_Bass_1977_.28sunburst_finish.2Fmaple_fretboard_with_pearloid_block_inlay.29|Fender '77 Jazz Bass]]
[[File:UnintendedAcousticCover.jpg ‎ | thumb | right | Official artwork of the acoustic version]]
*[[Fender_Jazz_Bass#Fender_Jazz_Bass_1973_.28butterscotch_finish.2Frosewood_fretboard_with_pearloid_block_inlay.29|Fender '73 Jazz Bass]]
{{Mbsongbox2
| Name = Unintended (Acoustic Version)
| Album = [[Cryosleep (Matthew Bellamy EP)|Cryosleep]]  
| Length = 4:02
| AltTitles = -
| First = -
| Latest = -
| Recorded = 2019
| Writer = [[Matthew Bellamy]]
| Producer = [[Matthew Bellamy]], [[Rich Costey]], [[Aleks Von Korff]]
| Chart position = -
}}


==== Effects ====
{{Mbsongnav
| Previous = [[Tomorrow's World (Matthew Bellamy song)|Tomorrow's World]]
| Current = Unintended (Acoustic Version)
| Next = [[Behold, The Glove (Matthew Bellamy song)|Behold, The Glove]]
}}
'''[https://www.youtube.com/watch?v=tXc-TjOUBPo Listen]'''


===== Rack 1 =====
In 2020, Bellamy announced he would be releasing an official stripped back acoustic version of the song, recorded on piano and vocals. The song was released on June 26th under his own name. Part of this piano version was teased before by Bellamy in an Instagram post from December 2019, when he wore a reindeer onesie while driving a hoverboard, which makes it likely it was recorded in December of 2019, if not earlier.<ref>https://www.instagram.com/p/B6jpZ07DMoc/</ref> It was produced by [[Rich Costey]] and engineered, mixed and mastered by [[Aleks Von Korff]].


* ETA Systems EPD11 LVIEC-CE
Together with the acoustic one, two more versions were released; The "Piano Lullaby Version", which is just an instrumental of the acoustic version and the Obeebo A.I. version, an artificial intelligence remaking of the piano version.<ref>https://twitter.com/MattBellamy/status/1276238232473210881</ref> That version analyzed the harmonic structure of the acoustic  and created a series of new compositions which imitates the feel of the original but deviate from it. Matt chose variation 3, as variation 1 and 2 were too simplistic with no modulation. The A.I. was taught to understand the music theory behind circle of fifths relationships. He stumbled across the circle of fifths pattern by accident as a teenager by simply putting together the most common open chords on the guitar (E, A, D, G, C using B as a turnaround) which led to the original song. He used the same pattern in the chorus of the song [[New Born (song)|New Born]].<ref>https://www.instagram.com/p/CCET0zLDtVI/</ref>
* Empirical Labs Distressor
* Custom connector panel (Unknown)
* Markbass SD1200
* [[Kemper Profiling Amplifier]] (black) (Big Muff)
* [[Kemper Profiling Amplifier]] (black) (Animato)


===== Rack 2 =====
==Live==  


* ETA Systems EPD11 LVIEC-CE
Unintended was written and debuted sometime in 1998. Matt was very apprehensive towards playing the song originally, as he originally envisioned it being performed using a keyboard, though he could not afford someone to play one. Thus, the band held off on playing Unintended for quite some time. Unintended remained a rare song all throughout 1999 before finally being played on regular rotation starting in January 2000. Unintended was performed at the majority of gigs in 2000.
* [[Skrydstrup Bass Routing System]]
* Shure UA845 Antenna /Power Distribution
* Shure UR4D
* Shure UR4D
* Skrydstrup MR10
* Skrydstrup MR10
* [[TC Electronic G-Major 2]]
* FX Tray 1 (unknown)
* FX Tray 2 (unknown)
* FX Tray 3 (unknown)
* Electrix Filter Factory


==== Amps ====
[[Unintended (live) | More here]]


* Markbass SD1200
==Lyrics==
* [[Ampeg SVT-VR]]
{{lyrics
* Ashdown BTA400
|You could be my unintended
Choice to live my life extended
You could be the one I’ll always love


=== Live ===
You could be the one who listens
To my deepest inquisitions
You could be the one I’ll always love


[[Image:STRack.jpg|thumb|280px|right|Chris's rack during the [[Simulation Theory World Tour]]]]
I’ll be there as soon as I can
[[File:MuseSTBass.jpg | thumb | right | 280px | Chris's bass tech with gear used on the ST tour behind him]]
But I’m busy mending broken
Pieces of the life I had before


During the tour, he acquired a new black/maple fretboard Fender Jazz Bass, a new Black/Stealth 5-String and a custom LED-Strip Status bass.
First there was the one who challenged
All my dreams and all my balance
She could never be as good as you


Effects-wise, he added a Pigtronix Disnortion distortion/fuzz and the Eventide H9 Harmonizer, while the POG2, allthough not seen on pics before, has likely been on his board since the 2017 Amphitheatre Tour.
You could be my unintended
Choice to live my life extended
You should be the one I’ll always love


He also updated the two Skrydstrup MR10 loop switchers with the RJM Effect Gizmo loop switchers.
I’ll be there as soon as I can
But I’m busy mending broken
Pieces of the life I had before


According to Chris's bass tech Jon Ashworth, the sound is based around the Markbass SD1200 heads running through the Markbass 1x15 cabinets and distortion is layered on top of that either through Kempers or through individual pedals, which are connected to RJM Switching Systems.
I’ll be there as soon as I can
But I’m busy mending broken
Pieces of the life I had before


==== Basses ====
Before you
}}


*[[Status Chris Wolstenholme Signature Bass]]
Some early live versions had a different chorus:<ref>[https://groups.yahoo.com/neo/groups/instantMUSEnger/conversations/messages/754]</ref>
*[[Status Original Series II|Status Custom Red Series II]]
*[[Status Kitara Doubleneck Bass]]
*[[Status Keyboard Bass]]
*[[Fender_Jazz_Bass#Fender_Jazz_Bass_1977_.28sunburst_finish.2Fmaple_fretboard_with_pearloid_block_inlay.29|Fender '77 Jazz Bass]]
*[[Fender_Jazz_Bass#Fender_Geddy_Lee_Signature_Jazz_Bass_.28satin_black.2Fmaple_fretboard_with_pearloid_block_inlay.29|Fender Geddy Lee Signature Jazz Bass]]
*[[Status Chris Wolstenholme Signature Bass 5-string]]
*[[Status S2-Classic]] (Back-Up)


===== Rack 1 =====
{{lyrics
|I'll be there as soon as I can
Burnt and busy mending broken
Pieces of the life I had before
}}


* ETA Systems EPD11 LVIEC-CE
==References==
* Empirical Labs Distressor
* Markbass SD1200
* Markbass SD1200
* [[Kemper Profiling Amplifier]] (black)
* [[Kemper Profiling Amplifier]] (black)
* [[Kemper Profiling Amplifier]] (black)
 
===== Rack 2 =====
 
* ETA Systems EPD11 LVIEC-CE
* [[Skrydstrup Bass Routing System]]
* Shure UA845 Antenna /Power Distribution
* Shure AD4D
* Shure AD4D
* RJM Effect Gizmo
* [[TC Electronic G-Major 2]]
* FX Tray 1 ([[Electro-Harmonix Big Muff Pi|Electro-Harmonix Black Russian Big Muff Pi]], MXR Six Band Graphic EQ, [[Boss OC-2|Boss OC-2 Octave]], Crowther Audio Prunes and Custard, ''Unknown'')
* FX Tray 2 (Pigtronix Disnortion, Akai Deep Impact, Line 6 FM4 Filter Modeler, ''Unknown'')
* RJM Effect Gizmo
* FX Tray 3 (Eventide H9 Harmonizer/Effects Processor, EHX POG2, ''Unknown'')
 
==== Cabinets ====
 
* 2 Markbass 151 15" Cabinets
 
==== Other ====
 
* Panda Audio MIDI Beam (for wireless MIDI transmission for the [[Status Keyboard Bass]])
 
== [[North American Summer Amphitheatre Tour 2017]] ==
 
=== Basses ===
 
*[[Status Chris Wolstenholme Signature Bass]]
*[[Status Original Series II]]
*[[Status Kitara Doubleneck Bass]]
*[[Status Kitara Doubleneck Bass Mk2]]
*[[Status S2-Classic]]
*[[Status The KingBass Mk-II]]
 
== [[Drones (album) |Drones]] ==
 
During the recording of Drones, Chris mainly used Status bass guitars, allthough a Rickenbacker and a Gibson Grabber were also spotted in the studio. He ran them through an Ampeg SVT-VR head for the clean channel and two Marshall DBS 7400s for distorted channels. Later, for the cover of New Kind of Kick, he likely used a Gretsch Thunder Jet, seen in the video, in the studio.
 
As for the Drones tour, Chris kept the bass setup the same as for The 2nd Law tour, with the 5-string Jazz Bass making a return for a couple of Assassin performances. The Chris Wolstenholme Status Graphite 5-String bass also made appearances for Assassin. Chris switched from Marshall to Markbass heads and Markbass cabinets for the Drones tour.  The Kemper amps, added for the tour, serve for the two distortion/fuzz channels, one for Big Muff and another one for Animato. He also included an Empirical labs Distressor.
 
=== Studio ===
[[Image:2014-12-16 Background3.jpg|thumb|right|Studio bass rack while recording Drones]]
==== Basses ====
*[[Status Chris Wolstenholme Signature Bass]]
*[[Status Original Series II|Status Custom Red Series II]]
*[[Status S2-Classic]]
*[[Gretsch G6128B Thunder Jet]]
*[[Status Super-Vintage GP]]
*[[Gibson Grabber]]
*[[Gibson Ripper]]
*[[Rickenbacker 4001]]
*[[Fender_Jazz_Bass#Fender_Jazz_Bass_1977_.28sunburst_finish.2Fmaple_fretboard_with_pearloid_block_inlay.29|Fender Jazz Bass '77]]
 
==== Effects ====
 
===== Rack 1 =====
 
* ETA Systems EPD11 LVIEC-CE
* Empirical Labs Distressor
* Custom connector panel (Unknown)
* Markbass SD1200
* [[Kemper Profiling Amplifier]] (black) (Big Muff)
* [[Kemper Profiling Amplifier]] (black) (Animato)
 
===== Rack 2 =====
 
* ETA Systems EPD11 LVIEC-CE
* [[Skrydstrup Bass Routing System]]
* Shure UA845 Antenna /Power Distribution
* Shure UR4D
* Shure UR4D
* Skrydstrup MR10
* Skrydstrup MR10
* [[TC Electronic G-Major 2]]
* FX Tray 1 (unknown)
* FX Tray 2 (unknown)
* FX Tray 3 (unknown)
* Electrix Filter Factory
 
===== Amps =====
* Ampeg SVT-VR
* Markbass SD1200
 
=== Live ===
 
==== Basses ====
 
*[[Fender_Jazz_Bass#Fender_American_Deluxe_5-string_.28black.2Fmaple_fretboard.29|Fender American Deluxe 5-String]]
*[[Fender_Jazz_Bass#Fender_Jazz_Bass_1977_.28sunburst_finish.2Fmaple_fretboard_with_pearloid_block_inlay.29|Fender Jazz Bass '77]]
*[[Status Chris Wolstenholme Signature Bass]]
*[[Status Original Series II|Status Custom Red Series II]]
*[[Status Kitara Doubleneck Bass]]
*[[Status S2-Classic]]
*[[Status The KingBass Mk-II]]
 
==== Effects (Tour - off-stage) ====
 
[[Image:CHRISDRONESSETUP.jpg|thumb|right|Live off-stage rack setup]]
 
===== Rack 1 =====
 
* ETA Systems EPD11 LVIEC-CE
* Empirical Labs Distressor EL8-X
* Custom connector panel (unknown)
* Markbass SD1200
* Markbass SD1200 (backup)
* [[Kemper Profiling Amplifier]] (black) (Big Muff)
* [[Kemper Profiling Amplifier]] (black) (Animato)
 
===== Rack 2 =====
 
* ETA Systems EPD11 LVIEC-CE
* [[Skrydstrup Bass Routing System]]
* Shure UA845 Antenna /Power Distribution
* Shure UR4D
* Shure UR4D
* Skrydstrup MR10
* Skrydstrup MR10
* [[TC Electronic G-Major 2]]
* FX Tray 1 (MXR Six Band Graphic EQ, [[Electro-Harmonix Big Muff Pi|Electro-Harmonix Black Russian Big Muff Pi]], ''Unknown'')
* FX Tray 2 (Digitech Bass Synth Wah, ''Unknown'')
* FX Tray 3 (''Unknown'')
* Electrix Filter Factory
 
==== Cabinets ====
 
* 2x Markbass 115HR
 
== [[The 2nd Law (album) |The 2nd Law]] ==
 
Chris changed his setup, in comparison with that from [[The Resistance (album)|The Resistance Tour]], before recording The 2nd Law. By start of The 2nd Law tour he did again some changes.
 
=== Basses ===
 
[[Image:Chris' bass rack.jpg|thumb|right|Bass rack on tour]]
 
* [[Dean Stylist]]
* [[Fender_Jazz_Bass#Fender_Jazz_Bass_1977_.28sunburst_finish.2Fmaple_fretboard_with_pearloid_block_inlay.29|Fender Jazz Bass '77]]
* [[Fender_Jazz_Bass#Fender_Jazz_Bass_1973_.28butterscotch_finish.2Frosewood_fretboard_with_pearloid_block_inlay.29|Fender Jazz Bass '73]]
* [[Status Chris Wolstenholme Signature Bass]]
* [[Status Chris Wolstenholme Signature Bass 5-string]]
* [[Status Original Series II]]
* [[Status Original Series II|Status Custom Red Series II]]
* [[Status S2-Classic]]
* [[Status The KingBass Mk-II]]
* [[Status Kitara Doubleneck Bass]]
 
[[Image:Chris_Studio_2nd_Law.jpg|thumb|right|Studio Set-up]]
 
=== Effects (Tour)(off stage) ===
 
==== Rack 1 ====
 
* ETA Systems EPD11 LVIEC-CE
* Empirical Labs Distressor
* Custom connector panel (unknown)
* Markbass SD1200
* Markbass SD1200
* [[Kemper Profiling Amplifier]] (black)
* [[Kemper Profiling Amplifier]] (black)
 
==== Rack 2 ====
 
* ETA Systems EPD11 LVIEC-CE
* [[Skrydstrup Bass Routing System]]
* Shure UA845 Antenna /Power Distribution
* Shure UR4D
* Shure UR4D
* Skrydstrup MR10
* Skrydstrup MR10
* [[TC Electronic G-Major 2]]
* FX Tray 1 (Unknown)
* FX Tray 2 (Unknown)
* FX Tray 3 (Unknown)
 
==== Control ====
* [[Liquid-Foot Pro MIDI Controller]] (Chris' bass tech does all switches)
 
=== Effects (tour)(on stage) ===
* [[Liquid-Foot Pro MIDI Controller]] (Chris doesn't use this controller, except for rehearsals)
* [[Korg DTR2000 Tuner]]
 
 
=== Effects (Studio) ===
 
==== Rack 1 ====
 
* ETA Systems EPD11 LVIEC-CE
* [[TC Electronic G-Major 2]]
* Line 6 Bass Pod XT Pro
* Tech21 Sansamp PSA 1.1
* Tech21 Sansamp PSA 1.1
* Custom connector panel
* Marshall DBS 7400
* Marshall DBS 7400
* Marshall DBS 7400
* Marshall DBS 7400
 
(While live, he’s being amplified through two SD1200 heads and four Standard 151HR cabinets) ( ? )
 
===== Top of the rack 1 =====
 
* Markbass MoMark SD800 into a Standard 104HF cabinet
* Markbass SD1200 into a Classic 152 cabinet
* Ampeg SVT-VR
 
==== Rack 2 ====
 
* ETA Systems EPD11 LVIEC-CE
* [[Skrydstrup Bass Routing System]]
* Shure UA845 Antenna /Power Distribution
* Shure UR4D
* Shure UR4D
* Skrydstrup MR10
* Skrydstrup MR10
* Skrydstrup MR10
* Electrix Filter Queen + Electrix EQ Killer
* Paul Lenders Muse AC-Tool
* Paul Lenders Muse DC-Tool
 
===== FX Tray 1 =====
 
* Way Huge Pork Loin
* ZVex Woolly Mammoth
* [[Human Gear Animato|Human Gear Animato Distortion]] (Perhaps)
* [[Electro-Harmonix Big Muff Pi|Electro-Harmonix Black Russian Big Muff Pi]] (Perhaps)
* [[Electro-Harmonix Big Muff Pi|Electro-Harmonix Black Russian Big Muff Pi]] (Perhaps)
 
===== FX Tray 2 =====
 
* Line 6 FM4
* Electro-harmonix Octave Multiplexer Vintage
* [[Human Gear Animato|Human Gear Animato Distortion]] (Perhaps)
* [[Electro-Harmonix Big Muff Pi|Electro-Harmonix Black Russian Big Muff Pi]] (Perhaps)
* Digitech Bass Synth Wah (Perhaps)
 
===== FX Tray 3 =====
 
* Homebrew Electronic Hematoma (repainted)
* ZVex Mastotron
* Electro-harmonix Octave Multiplexer (Perhaps)
* Electro-harmonix Micro Qtron (Perhaps)
* Akai Deep Impact Synth Bass SB-1 (Perhaps)
 
===== Top of the rack 2 =====
 
* Way Huge Aqua-Puss
* Way Huge Green Rhino
* Way Huge Fat Sandwich
* Way Huge Swollen Pickle
* Way Huge Angry Troll
* Crowther Audio Prunes and Custard
 
=== Other gear (studio) ===
 
* Aviom A-16II
* Expression Pedal
* A Designs REDDI Tube D.I.
 
==[[The Resistance (album) |The Resistance]]==
[[Image:MUSE-BASS_TECH-S.jpg|thumb|right|Rack (Offstage)]]
[[Image:ChrisAmpeg.jpg|thumb|right|Ampeg SVT-VR]]
For The Resistance era, Chris expanded his setup even more, especially in terms of basses rack gear. This was the first tour that Chris started using Status basses with the first one being the [[Status Original Series II]].
 
Both the studio and live setups were the same, excluding the bass and amp selection.
 
=== Studio ===
 
==== Basses ====
 
* [[Fender_Jazz_Bass#Fender_American_Deluxe_.28candy_tangerine.2Frosewood_fretboard.29|Fender American Deluxe Jazz Bass]] (Candy Tangerine/Rosewood fretboard)
* [[Fender_Jazz_Bass#Fender_American_Deluxe_.28candy_tangerine.2Fmaple_fretboard.29|Fender American Deluxe Jazz Bass]] (Candy Tangerine/Maple fretboard)
* [[Fender_Jazz_Bass#Fender_American_Deluxe_.28black.2Fmaple_fretboard.29|Fender American Deluxe Jazz Bass]] (Black/Maple fretboard)
* [[Fender_Jazz_Bass#Fender_American_Deluxe_.28pearlescent_white.2Fmaple_fretboard.29|Fender American Deluxe Jazz Bass]] (Pearlescent White/Maple fretboard)
* [[Fender_Jazz_Bass#Fender_American_Vintage_.E2.80.9975_.28natural_finish.2Fmaple_fretboard_with_black_blocks_inlay.29|Fender American Vintage '75 Jazz Bass]] (Natural/Maple fretboard)
* [[Fender_Jazz_Bass#Fender_Jazz_Bass_1977_.28sunburst_finish.2Fmaple_fretboard_with_pearloid_block_inlay.29|Fender '77 Jazz Bass]] (Sunburst/Maple fretboard)
* [[Status Original Series II]] (Walnut)
* [[Gibson Ripper]]
* [[Gibson Grabber]]
* [[Pedulla#Pedulla_Rapture_RB4-4_Candy_Blue|Pedulla Rapture RB4-4]] (Candy Blue)
 
==== Amps ====
 
* 4x [[Marshall DBS 7400|Marshall DBS 7400 Head]]
* [[Ampeg SVT-VR]]
* [[Line 6 Bass POD Pro|Line 6 Bass POD XT Pro]]
* [[Tech21 SansAmp PSA-1]]
 
==== Cabs ====
 
* [[Marshall 7410 Bass Cab|Marshall 7410 4x10 Cabinet]]
* [[Marshall 7115 Bass Cab|Marshall 7115 1x15 Cabinet]]
* [[Marshall 7215 Bass Cab|Marshall 7215 2x15 Cabinet]]
 
=== Live  ===
 
==== Basses ====
 
* [[Fender_Jazz_Bass#List_of_Chris.27_Jazz_Basses_used_live|Fender American Standard Jazz Bass]] (Blizzard Pearl/Rosewood fretboard)
* [[Fender_Jazz_Bass#Fender_American_Deluxe_.28candy_tangerine.2Frosewood_fretboard.29|Fender American Deluxe Jazz Bass]] (Candy Tangerine/Rosewood fretboard)
* [[Fender_Jazz_Bass#Fender_American_Deluxe_.28candy_tangerine.2Fmaple_fretboard.29|Fender American Deluxe Jazz Bass]] (Candy Tangerine/Maple fretboard)
* [[Fender_Jazz_Bass#Fender_American_Deluxe_.28black.2Fmaple_fretboard.29|Fender American Deluxe Jazz Bass]] (Black/Maple fretboard)
* [[Fender_Jazz_Bass#Fender_American_Deluxe_.28pearlescent_white.2Fmaple_fretboard.29|Fender American Deluxe Jazz Bass]] (Pearlescent White/Maple fretboard)
* [[Fender_Jazz_Bass#Fender_American_Deluxe_5-string_.28black.2Fmaple_fretboard.29|Fender American Deluxe Jazz Bass 5-string]] (Black/Maple fretboard)
* [[Fender_Jazz_Bass#Fender_American_Vintage_.E2.80.9975_.28natural_finish.2Fmaple_fretboard_with_black_blocks_inlay.29|Fender American Vintage '75 Jazz Bass]] (Natural/Maple fretboard)
* [[Fender_Jazz_Bass#Fender_American_Deluxe_.28chrome_finish.2Fmaple_fretboard.29|Fender American Deluxe Jazz Bass]] (Chrome/Maple fretboard)
* [[Noah Guitars Excalibur Bass]]
* [[Rickenbacker 4003]]
* [[Status Original Series II]] (Walnut)
* [[Status The KingBass Mk-II#The_KingBass_MK-II]] (Walnut)
* [[Gibson Grabber]]
* [[Status_S2-Classic#Status_S2-Classic_"Walnut"|Status S2-Classic]] (Walnut)
* [[Status_S2-Classic#Status_S2-Classic_"Graphite"|Status S2-Classic]] (Graphite)
* [[Status_S2-Classic#Status_S2-Classic_"Graphite-LED"_(prototype)|Status S2-Classic]] (Graphite-LED)
* [[Status Super-Vintage GP]]
 
==== Amps ====
 
* 4x [[Marshall DBS 7400|Marshall DBS 7400 Head]]
* [[Line 6 Bass POD Pro|Line 6 Bass POD XT Pro]]
* 2x [[Tech21 SansAmp PSA-1]]
 
==== Cabs ====
 
* 2x [[Marshall 7215 Bass Cab|Marshall 7215 2x15 Cabinet]]
* [[Marshall 7115 Bass Cab|Marshall 7115 1x15 Cabinet]]
 
=== Racks ===
 
==== Rack 1 ====
 
* [[Electrix Filter Factory]]
* ETA Systems EPD11 LVIEC-CE
* TC Electronics G-Major 2
* Line 6 Bass POD XT Pro
* 2x [[Tech21 Sansamp PSA-1]]
* Custom Connector Panel
* 4x Marshall DBS 7400
 
==== Rack 2 ====
 
* ETA Systems EPD11 LVIEC-CE
* [[Skrydstrup Bass Routing System]]
* Shure UA845 Antenna /Power Distribution
* Shure UR4D
* Shure UR4D
* Skrydstrup MR10
* Skrydstrup MR10
* Sound Sculpture (SS) Switchblade GL
* Paul Lenders Muse AC-Tool
* Paul Lenders Muse DC-Tool
 
===== FX Tray 1 =====
 
* [[Human Gear Animato|Human Gear Animato Distortion]]
* [[Electro-Harmonix Big Muff Pi|Electro-Harmonix Black Russian Big Muff Pi]]
* [[Electro-Harmonix Octave Multiplexer|Electro-Harmonix Vintage Octave Multiplexer]]
* [[Crowther Audio Prunes and Custard]]
* [[Z-Vex Woolly Mammoth]]
 
===== FX Tray 2 =====
 
* [[Human Gear Animato|Human Gear Animato Distortion]]
* 2x [[Electro-Harmonix Big Muff Pi|Electro-Harmonix Black Russian Big Muff Pi]]
* [[Digitech Bass Synth Wah]]
* [[Line 6 FM4 Filter Modeler]]
 
===== FX Tray 3 =====
* [[Boss OC-2|Boss OC-2 Octave]]
* [[Electro-Harmonix Micro Q-Tron]]
* [[Akai Deep Impact SB1|Akai Deep Impact SB1 Bass Synthesiser Pedal]]
* [[HBE Hematoma Bass Overdrive/Pre-Amp]]
* There is then a gap with 2 un-connected patch cables, possibly for the [[Boss DD-3]]
 
==== Control ====
 
* [[Liquid-Foot Pro MIDI Controller]] (off-stage)
 
=== On-Stage Pedalboard ===
* [[Liquid-Foot Pro MIDI Controller]] (on-stage)
* [[Korg DTR2000 Tuner]]
* Ernie Ball EX-S Expression Pedal (controls the Filter Factory)
 
== [[Black Holes and Revelations (album) |Black Holes and Revelations]] ==
[[Image:MUSE-BASS_TECH-S1.jpg|thumb|right|Board]]
Not much is known about Chris' gear during the BH&R era as there were little to no pictures of his gear taken during the period, however it is known that Chris started using Fender Jazz Basses a lot more frequently. He also ditched the on-stage amps/cabs halfway through the tour, and started miking them backstage. Instead, he only opted for an on-stage subwoofer, so he could still feel the sub low end, and he also took away the MIDI foot pedal controller.
 
Based on some interviews, Chris added four more Marshall DBS 7400 heads to his setup, having eight in total.<ref>https://www.mixonline.com/live-sound/all-access-muse-367983</ref>
 
=== Basses ===
 
* [[Fender_Jazz_Bass#List_of_Chris.27_Jazz_Basses_used_live|Fender American Standard Jazz Bass]] (Blizzard Pearl/Rosewood fretboard)
* [[Fender_Jazz_Bass#Fender_American_Deluxe_.28candy_tangerine.2Frosewood_fretboard.29|Fender American Deluxe Jazz Bass]] (Candy Tangerine/Rosewood fretboard)
* [[Fender_Jazz_Bass#Fender_American_Deluxe_.28candy_tangerine.2Fmaple_fretboard.29|Fender American Deluxe Jazz Bass]] (Candy Tangerine/Maple fretboard)
* [[Fender_Jazz_Bass#Fender_American_Deluxe_.28black.2Fmaple_fretboard.29|Fender American Deluxe Jazz Bass]] (Black/Maple fretboard)
* [[Fender_Jazz_Bass#Fender_American_Deluxe_.28pearlescent_white.2Fmaple_fretboard.29|Fender American Deluxe Jazz Bass]] (Pearlescent White/Maple fretboard)
* [[Fender_Jazz_Bass#Fender_American_Deluxe_5-string_.28black.2Fmaple_fretboard.29|Fender American Deluxe Jazz Bass 5-string]] (Black/Maple fretboard)
* [[Fender_Jazz_Bass#Fender_American_Vintage_.E2.80.9975_.28natural_finish.2Fmaple_fretboard_with_black_blocks_inlay.29|Fender American Vintage '75 Jazz Bass]] (Natural/Maple fretboard)
* [[Rickenbacker 4003]]
* [[Pedulla#Pedulla_Rapture_RB4-4_Candy_Blue|Pedulla Rapture RB4-4]] (Candy Blue) (only for [[Micro Cuts (song)|Micro Cuts]] live)
* [[Custom Manson 8-String Bass]] (never used)
 
=== Amps ===
 
* 8x [[Marshall DBS 7400]]
 
=== Cabs ===
 
* [[Marshall 7215 Bass Cab|Marshall 7215 2x15 Cabinet]] (on-stage monitoring)
 
=== Control ===
 
* [[Rocktron All Access Foot Controller]]
 
=== On-Stage Pedalboard ===
 
* Korg DTR-1 Rack Tuner
* [[Rocktron All Access Foot Controller]] (on-stage)
* Ernie Ball EX-S Expression Pedal
 
== Absolution ==
[[Image:chrisabsolutionrack.jpg|thumb|right|Rack]]
[[Image:chrisabsolutionpedalboard.jpg|thumb|right|Pedal Board]]
[[Image:chrisabsolutionpedalboard2.jpg|thumb|right|Pedal Board (Offstage)]]
For the Absolution tour, Chris moved all of his pedals and amps into the rack. Both him and Matt got into MIDI switching systems, with their techs switching the effects on or off; a system, which they still use, due to the complexity of effect use on albums.
 
Wolstenholme also got two more of the Marshall DBS 7400 bass amplifiers into the rig.
 
=== Basses ===
 
* [[Pedulla#Pedulla_Rapture_RB4-4_Candy_Blue|Pedulla Rapture RB4-4]] (Candy Blue)
* [[Pedulla#Pedulla_Rapture_RB4-4_Flat_Black|Pedulla Rapture RB4-4]] (Flat Black)
* [[Pedulla#Pedulla_Rapture_RB4-4_Candy_Red|Pedulla Rapture RB4-4]] (Candy Red)
* [[Zon Sonus Custom 4]]
* [[Fender_Jazz_Bass#Fender_American_Deluxe_.28candy_tangerine.2Frosewood_fretboard.29|Fender American Deluxe Jazz Bass]] (Candy Tangerine/Rosewood fretboard)
* [[Fender_Jazz_Bass#List_of_Chris.27_Jazz_Basses_used_live|Fender American Standard Jazz Bass]] (Blizzard Pearl/Rosewood fretboard) (only for [[Sing for Absolution (song)|Sing for Absolution]] live)
* [[Custom Manson 8-String Bass]] (never used)
 
=== Amps/Rack (left) ===
 
* 4x [[Marshall DBS 7400|Marshall DBS 7400]]
 
=== Rack (right) ===
 
* Shure UHF receiver
* 2x [[Line 6 FM4 Filter Modeler|Line 6 Filter Pro]]
* [[Sound Sculpture Switchblade GL|Sound Sculpture Switchblade GL Switcher/Router]]
* [[Line 6 Bass POD Pro|Line 6 Bass POD XT Pro]]
* 2x [[Line 6 Bass POD Pro]]
 
=== Off-Stage Pedalboard ===
 
* [[Akai Deep Impact SB1|Akai Deep Impact SB1 Bass Synthesiser Pedal]]
* [[Human Gear Animato|Human Gear Animato Distortion]]
* [[Electro-Harmonix Big Muff Pi|Electro-Harmonix Black Russian Big Muff Pi]]
* [[Boss DD-3|Boss DD-3 Digital Delay]]
* [[Boss OC-2|Boss OC-2 Octaver]]
* [[Boss PS-3|Boss PS-3 Pitch Shift Pedal]]
* [[Digitech Bass Synth Wah]]
 
=== Control ===
 
* [[Rocktron All Access Foot Controller]]
 
=== On-Stage Pedalboard ===
 
* Korg DTR-1 Rack Tuner
* [[Rocktron All Access Foot Controller]] (on-stage)
* [[Roland PK-5 Dynamic Foot Pedal]]
 
=== Other ===
 
* [[Keyboards#Wolstenholme.27s_keyboards|Keyboard]]
* Maracas (for [[Endlessly (song)|Endlessly]])
 
== Origin of Symmetry ==
[[Image:chrisoriginamps.jpg|thumb|right|OoS Amps]]
[[Image:chrisoriginpedalboard.jpg|thumb|right|OoS Pedalboard]]
During the OoS tour, Chris got his Marshall DBS 7400 Dynamic Bass System amplifiers and cabinets. He also got a Black Russian Big Muff Pi and a Human Gear Animato pedal, aswell as an Akai Deep Impact SB1 Bass Synth pedal. A lot of the gear he acquired during this era remains in his setup to this day.
 
=== Basses ===
 
* [[Pedulla#Pedulla_Rapture_RB4-4_Tobacco_Sunburst|Pedulla Rapture RB4-4]] (Tobacco Sunburst)
* [[Pedulla#Pedulla_Rapture_RBJ2-4_Candy_Blue|Pedulla Rapture RBJ2-4]] (Candy Blue)
* [[Pedulla#Pedulla_Rapture_RB4-4_Candy_Blue|Pedulla Rapture RB4-4]] (Candy Blue)
* [[Pedulla#Pedulla_Rapture_RB4-4_Flat_Black|Pedulla Rapture RB4-4]] (Flat Black)
* [[Pedulla#Pedulla_Rapture_RB4-4_Candy_Red|Pedulla Rapture RB4-4]] (Candy Red)
* [[Warwick Streamer Pro M]] (only used in the [[New Born (video)|New Born music video]])
 
=== Rack ===
 
* [[Marshall Bass State B150|Marshall B150 Bass Combo]] (Not in the picture; Sat on top of rack)
* 2x [[Marshall DBS 7400|Marshall DBS 7400 Head]]
* Rack Drawer w/ Marshall Sticker
 
=== Cabinets ===
 
* [[Marshall 7410 Bass Cab|Marshall 7410 4x10 Cabinet]]
* [[Marshall 7115 Bass Cab|Marshall 7115 1x15 Cabinet]]
* [[Marshall 7215 Bass Cab|Marshall 7215 2x15 Cabinet]]
 
=== Pedalboard ===
 
* [[Human Gear Animato|Human Gear Animato Distortion]]
* [[Boss LS-2|Boss LS-2 Line Selector]]
* [[Boss OC-2|Boss OC-2 Octaver]]
* [[Electro-Harmonix Big Muff Pi|Electro-Harmonix Black Russian Big Muff Pi]]
* [[Boss DD-3|Boss DD-3 Digital Delay]]
* [[Akai Deep Impact SB1|Akai Deep Impact SB1 Bass Synthesiser Pedal]]
* [[Line 6 FM4 Filter Modeler]]
* Pete Cornish Line Selector
* Korg DTR-1 Rack Tuner
* Power Supply Unit
 
== Showbiz ==
[[Image:chrisshowbizpedalboard.jpg|thumb|right|Showbiz pedalboard]]
Allthough amplifiers and basses remained the same, Chris used two effects setups during the Showbiz era; On some early gigs, he only used the Boss OS-2 Overdrive/Distortion, plugged into the Pete Cornish Line Selector and running into the amps.
 
Wolstenholme equiped his basses with Elites 40-100 stainless steel strings.<ref>[http://board.muse.mu/showthread.php?t=959 2002 Bass Guitar Magazine Interview]</ref>
 
=== Basses ===
 
* [[Pedulla#Pedulla_Rapture_RB4-4_Tobacco_Sunburst|Pedulla Rapture RB4-4]] (Tobacco Sunburst)
* [[SGC Nanyo Bass Collection#Bass_Collection_SB330|SGC Nanyo Bass Collection SB330]]
* [[SGC Nanyo Bass Collection#Bass_Collection_SB300|SGC Nanyo Bass Collection SB300]]
* [[Clifton Electric Upright Bass]]
 
=== Amps ===
 
* [[Ampeg]] [[Ampeg SVT-II Pro|SVT-II Pro]]
* [[Ampeg]] [[Ampeg PR-1832HE Bass Cab|PR-1832HE Bass Cab]]
* [[Marshall Bass State B150|Marshall B150 Bass Combo]]
 
=== Pedalboard ===
 
* [[Electro-Harmonix Big Muff Pi|Electro-Harmonix Green Russian Big Muff Pi]]
* [[Boss DD-3|Boss DD-3 Digital Delay]]
* [[Boss LS-2|Boss LS-2 Line Selector]]
* [[Boss OS-2|Boss OS-2 Overdrive/Distortion]]
* [[Boss OC-2|Boss OC-2 Octave]]
* Pete Cornish Line Selector
* Korg DTR-1 Rack Tuner
* Power Supply Unit
 
== References ==
<references/>
<references/>


==See also==
==See also==
*[[Unintended (video)|Unintended video]]
*[http://muse.cream.org/mp3/mattswork/Muse%20-%20Unintended%20(JIROB%20remix).mp3 MG remix]


*[http://www.mansonguitars.co.uk/Muse%20gallery/pages/Wolstenholme%20Bass.htm Wolstenholme Bass]


[[Category:Gear]]
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[[Category:Christopher Wolstenholme]]

Revision as of 21:44, 6 June 2021

Muse song
Name Unintended
Album/single
Length 3:56
Alternative titles -
First live performance Unknown
Latest live performance 24th July 2013
Recorded 1998
Writer/composer Matthew Bellamy
Producer Paul Reeve, Jirob (MG remix)
Chart position 20


Listen

Description

Acoustic fingerpicking. Unintended was written sometime around 1998, although possibly being written in 1997. It was written on a keyboard, and it was not played live much in 1998 because of the fact that the band needed a keyboard player in order to do the song. By December 1998, however, it was re-written on guitar, appearing in the only complete 1998 setlist. By 1999 the song was still performed rarely, only making about thirty estimated appearances throughout the course of the year.

Information

Played heavily during the 2000 tour as a lighter anthem and occasionally during 2001. It returned to the set list with recent 2007 gigs (played in the key of D insted of E). When it was played from 1999 through 2001, both Bellamy and Wolstenholme would play guitar. Matt's was electric and Chris' would either be acoustic or electric. Chris would also play the bass with a foot pedal controller. From 2007 onwards, Matthew has been playing guitar, Chris has been playing bass and Nicholls plays keyboards occasionally. When the song returned for The 2nd Law stadium tour, Matt only sang and Chris played electric guitar.

Acording to Matt, the words came in first place, instead of the music in first. It's one of the Two Songs in where the words came first, instead of the music in first place.[1]

Bellamy's explanation: "There are a few unintended love songs as well. The song I wrote about the girl was written in the studio after a phone conversation with her. We called it 'Unintended' because it came out of nowhere, and I didn't mean it to happen, all of these feelings for this girl".

On the Muscle Museum EP version, Paul Reeve provided backing vocals.[2]

Remixes

A remix exists, entitled "MG remix", by "Jirob". "Jirob"'s first name appears to be Matt, judging his url, and Jirob stands for "J in Red on Blue". The track begins with an oldie worldy effect, followed by a sped up dance section.

Acoustic, Lullaby and Obeebo A.I. Versions

Official artwork of the acoustic version
Matthew Bellamy Song
Name Unintended (Acoustic Version)
Album/single Cryosleep
Length 4:02
Alternative titles -
First live performance -
Latest live performance -
Recorded 2019
Writer/composer Matthew Bellamy
Producer Matthew Bellamy, Rich Costey, Aleks Von Korff

Listen

In 2020, Bellamy announced he would be releasing an official stripped back acoustic version of the song, recorded on piano and vocals. The song was released on June 26th under his own name. Part of this piano version was teased before by Bellamy in an Instagram post from December 2019, when he wore a reindeer onesie while driving a hoverboard, which makes it likely it was recorded in December of 2019, if not earlier.[3] It was produced by Rich Costey and engineered, mixed and mastered by Aleks Von Korff.

Together with the acoustic one, two more versions were released; The "Piano Lullaby Version", which is just an instrumental of the acoustic version and the Obeebo A.I. version, an artificial intelligence remaking of the piano version.[4] That version analyzed the harmonic structure of the acoustic and created a series of new compositions which imitates the feel of the original but deviate from it. Matt chose variation 3, as variation 1 and 2 were too simplistic with no modulation. The A.I. was taught to understand the music theory behind circle of fifths relationships. He stumbled across the circle of fifths pattern by accident as a teenager by simply putting together the most common open chords on the guitar (E, A, D, G, C using B as a turnaround) which led to the original song. He used the same pattern in the chorus of the song New Born.[5]

Live

Unintended was written and debuted sometime in 1998. Matt was very apprehensive towards playing the song originally, as he originally envisioned it being performed using a keyboard, though he could not afford someone to play one. Thus, the band held off on playing Unintended for quite some time. Unintended remained a rare song all throughout 1999 before finally being played on regular rotation starting in January 2000. Unintended was performed at the majority of gigs in 2000.

More here

Lyrics

You could be my unintended

Choice to live my life extended You could be the one I’ll always love

You could be the one who listens To my deepest inquisitions You could be the one I’ll always love

I’ll be there as soon as I can But I’m busy mending broken Pieces of the life I had before

First there was the one who challenged All my dreams and all my balance She could never be as good as you

You could be my unintended Choice to live my life extended You should be the one I’ll always love

I’ll be there as soon as I can But I’m busy mending broken Pieces of the life I had before

I’ll be there as soon as I can But I’m busy mending broken Pieces of the life I had before

Before you

Some early live versions had a different chorus:[6]

I'll be there as soon as I can

Burnt and busy mending broken Pieces of the life I had before

References

See also


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